This insightful biography by experienced show-business biographers Tim Ewbank and Stafford Hildred charts the remarkable life of the tea-planter's daughter, born in India, who blossomed from troubled Sussex schoolgirl into the striking young woman who sashayed to stardom down a Bradford street in the film Billy Liar. Julie became the Face of 1965, won an Oscar for her role in "Darling", was courted by London and Hollywood's most eligible men, including Warren Beatty, and glowed with beauty in "Dr Zhivago". Off and on screen, her life has been fascinating, and only a woman with her spirit would have turned her back on Hollywood at the height of her fame to embrace a simpler life in Wales. In recent years, she has only rarely been tempted back into the limelight, but her most recent appearance, in "Away from Her", has led to another Oscar nomination and a renewal of interest in one of Britain's most successful, yet private, actresses.
Industry Reviews
Shallow biography of the renowned film, stage and TV actress.A varied and celebrated acting career, a history of political activism and an outspoken personality make Julie Christie an ideal subject for biography. Unfortunately, British entertainment journalists Ewbank and Hildred offer very little beyond what exists in previously published accounts. The authors begin with Christie's childhood in India and boarding school in England, glossing over the family discord that may have informed her career. Though she grew up to star in films both groundbreaking (Billy Liar, Darling) and epic (Doctor Zhivago, Far from the Madding Crowd), the accounts of these works given here consistently strike one or two notes: Christie was chronically insecure about her talent; she was a stunning beauty loved by the camera. The films' production histories are fairly well detailed, but analysis of the work seldom goes deeper than the surface. As to why the eminent director John Schlesinger failed in his adaptation of Thomas Hardy's Far from the Madding Crowd, the authors note, "somewhere in the mix wise heads detected trouble." This same lack of critical acumen precludes a definitive assessment of Christie's acting; instead, the authors pay a great deal of attention to Christie's highly publicized romantic affairs. Her relationship with lothario Warren Beatty merits an entire chapter in which at least some note is made of the two films they made together, Shampoo and Heaven Can Wait. But even that section is padded out with an extended, irrelevant discussion of the sound-recording technique Beatty used in Bonnie and Clyde, a film in which Christie was not involved. Notes on Christie's face-lift preface a thin summary of her recent, stunning work as a woman with Alzheimer's in Away from Her.Christie's significance as an actress and cultural icon await a more perceptive appraisal. (Kirkus Reviews)