Medieval and Renaissance Drama in England

Articles Thierry and Theodoret: Censorship, Allegory and Plausible Deniability Richard Dutton "In rugged verse vile matters to contain": The Devil's Charter as Antipasquinade James Mardock The Origins of Repertory in English Drama, or, How to Find Needles in Haystacks Laurie Johnson Not like the Others: The Three Lords and Ladies of London and the Queen's Men Repertory Erin Kelly Was Christopher Marlowe a Capitalist?: The Croxton Play of the Sacrament, The Jew of Malta, and Stories of Economic Change Bradley Ryner The Wars of Cyrus: Date and Authorship, and Why They Matter Michael J. Hirrel "Gone and Loste": Tracing Philip Henslowe's 1598 Theatrical Inventories Anouska Lester Q1 Hamlet and its Compilers Brian Vickers Authorship Attributions in the Fletcher Canon Darren Freebury-Jones Reviews Harry R. McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre, New York: Cambridge University Press, 2022. Valerie Billing Noemie Ndiaye, Scripts of Blackness: Early Modern Performance Culture and the Making of Race, RaceB4Race: Critical Race Studies of the Premodern, Philadelphia: University of Pennsylvania Press, 2022. Dennis Britton Darren Freebury-Jones, Shakespeare's Tutor: The influence of Thomas Kyd, Manchester: Manchester University Press, 2022. Christopher Crosbie Mark Kaethler, Thomas Middleton and the Plural Politics of Jacobean Drama, Berlin: De Gruyter, 2021. David Nicol Caroline Bicks, Cognition and Girlhood in Shakespeare's World: Rethinking Female Adolescence, Cambridge: Cambridge University Press, 2021. Bethany Packard Urvashi Chakravarty, Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England, Philadelphia: University of Pennsylvania Press, 2022. Elizabeth Rivlin Emma Lipton, Cultures of Witnessing: Law and the York Plays, Philadelphia: University of Pennsylvania Press, 2022. Jeffrey G. Stoyanoff