Audio Examples | p. ix |
Maps | p. xi |
About The Garland Encyclopedia of World Music | p. xiii |
Preface | p. xv |
Guide to Transliteration and Pronunciation | p. xix |
Contributing Authors | p. xxv |
Introduction to the Musics of the Region | p. 1 |
Hearing the Music of the Middle East | p. 3 |
History of Scholarship: Narratives of Middle Eastern Music History | p. 15 |
Understanding the Musics of the Middle East: Issues and Processes | p. 29 |
Theory, Composition, and Performance | p. 31 |
The Eastern Arab System of Melodic Modes in Theory and Practice: A Case Study of Maqam Bayyati | p. 33 |
Music in Performance: 'Ud Lessons with George Michel | p. 45 |
Contemporary Turkish Makam Practice | p. 47 |
The Concept of Mode in Iranian Music: Shur | p. 59 |
Aspects of Turkish Folk Music Theory | p. 77 |
Rhythmic Modes in Middle Eastern Music | p. 89 |
Rhythmic Structure and Drum Improvisation in Yemen | p. 93 |
Music in Performance: Who Are the Whirling Dervishes? | p. 107 |
Ottoman Turkish Music: Genre and Form | p. 113 |
Performance Practice in Iran: Radif and Improvisation | p. 129 |
Music in Religious Expression | p. 145 |
Snapshot: Shaykh Yasin al-Tuhami in the Public Hadra: A Typical Layla Performance | p. 147 |
The Muslim Call to Prayer | p. 153 |
The Qur'an Recited | p. 157 |
Islamic Hymnody in Egypt: Al-Inshad al-Dini | p. 165 |
The Symbolic Universe of Music in Islamic Societies | p. 177 |
Manifestations of the Word: Poetry and Song in Turkish Sufism | p. 189 |
Music in the Religious Experience of Israeli Jews | p. 199 |
Maronite Music | p. 207 |
The Coptic Orthodox Church and Its Music | p. 219 |
Syriac Religious Music | p. 225 |
Popular Music and the Media | p. 231 |
The Impact of the Media on Egyptian Music | p. 233 |
Music in Performance: Cem Karaca, Live | p. 243 |
Turkish Rock and Pop Music | p. 247 |
Arabesk | p. 255 |
Israeli Mediterranean Music | p. 261 |
Rai | p. 269 |
Berber Popular Music | p. 273 |
The Popular Music of Arab Detroit | p. 279 |
Gender and Music | p. 289 |
Snapshot: Sallama al-Qass | p. 291 |
Historical Issues of Gender and Music | p. 293 |
Contemporary Issues of Gender and Music | p. 299 |
Learning and Transmission | p. 309 |
The Iraqi Maqam and Its Transmission | p. 311 |
Music in Performance: A Rehearsal with Firqat al-Musiqa al-'Arabiyya | p. 317 |
Institutionalization of Learning in Egypt | p. 321 |
The Use of Western Notation in Tunisian Art Music | p. 325 |
Learning Epic Traditions | p. 339 |
Historical Roots | p. 349 |
The Kitab al-Aghani | p. 351 |
Music in Ancient Arabia from Archaeological and Written Sources | p. 357 |
Arabic Writings on Music: Eighth to Nineteenth Centuries | p. 363 |
Theories of Rhythm and Meter in the Medieval Middle East | p. 387 |
Classification of Musical Instruments in the Medieval Middle East | p. 395 |
Musical Instruments in the Arab World | p. 401 |
Music Cultures and Regions | p. 425 |
North Africa: The Maghrib | p. 427 |
North Africa: Overview | p. 429 |
The Andalusian Musical Heritage | p. 441 |
Andalusian Nuba in Morocco | p. 455 |
Urban Music of Algeria | p. 465 |
Music in Performance: A Wedding in the Atlas Mountains | p. 479 |
Berber Musics in Morocco | p. 483 |
Music in Performance: Following the Entranced Ones--Gnawa Performances and Trance in Rabat, Morocco | p. 491 |
Malhun: Colloquial Song in Morocco | p. 495 |
Baron Rodolphe d'Erlanger | p. 501 |
Patronage and Policy in Tunisian Art Music | p. 505 |
The 'Isawiyya of Tunis | p. 515 |
Music of the Jews of Djerba, Tunisia | p. 523 |
The Eastern Arab World: The Mashriq | p. 533 |
Overview of Music in the Mashriq | p. 535 |
Performance of Arab Music in Twentieth-Century Egypt: Reconciling Authenticity and Contemporaneity | p. 557 |
Snapshot: Sabah Fakhri | p. 563 |
Musical Life in Aleppo, Syria | p. 565 |
The Palestinian Groom's Wedding Eve Celebration | p. 573 |
Palestinian Wedding Songs | p. 579 |
Snapshot: Munir Bashir | p. 593 |
Stardom in Egyptian Music: Four Case Studies | p. 597 |
Snapshot: Opening Night for a Star Performer--Umm Kulthum and Inta 'Umri | p. 603 |
Western Music, Colonialism, Cosmopolitanism, and Modernity in Egypt | p. 607 |
The Performers of Muhammad 'Ali Street In Cairo, Egypt | p. 615 |
Dance in Egypt | p. 623 |
Popular Music of the Intifada | p. 635 |
Nubian Music in Cairo | p. 641 |
The Arabian Peninsula | p. 647 |
The Arabian Peninsula: An Overview | p. 649 |
Sung Poetry in the Arabian Peninsula | p. 663 |
Musical Life in Sohar, Oman | p. 671 |
Al-ghina' al-San 'ani: Poetry and Music in San'a', Yemen | p. 685 |
Music in Performance: A Saudi Women's Wedding Party | p. 691 |
Women's Music of the Arabian Peninsula | p. 695 |
Dance in the Arabian Peninsula | p. 703 |
Music Making among Western Expatriates in the Arabian Peninsula | p. 713 |
Armenia | p. 721 |
Music of Armenia | p. 723 |
Kurdistan | p. 741 |
Kurdistan | p. 743 |
Turkey | p. 755 |
Snapshot: Tanburi Cemil Bey | p. 757 |
Turkey: An Overview | p. 759 |
Snapshot: Ismail Dede Efendi | p. 779 |
From Empire to Republic: Vocal Style in Twentieth-Century Turkey | p. 781 |
Snapshot: Arif Sag--Alevi Baglama Teacher and Performer Par Excellence | p. 789 |
Alevi Identity and Expressive Culture | p. 793 |
Turkish Song Duel | p. 801 |
Dance and Identity in Turkey | p. 811 |
Iran | p. 821 |
Iran: An Introduction | p. 823 |
Snapshot: 'Ali Aqa Almajoqi: The Life of a Khorasani Bakhshi | p. 839 |
The Asiq and His Music in Northwest Iran (Azerbaijan) | p. 843 |
Tradition and History: The Case of Iran | p. 853 |
A New Approach to the Theory of Persian Art Music: The Radif and the Modal System | p. 865 |
Dance in Iran | p. 875 |
Music, Trance, and Therapy in Baluchistan | p. 881 |
Central Asia | p. 893 |
Central Asia: Overview | p. 895 |
Snapshot: Abdurahim Hamidov--An Eminent Contemporary Master | p. 907 |
The Classical Music of Uzbeks and Tajiks | p. 909 |
Music of Azerbaijan | p. 921 |
Sacred Music and Chant in Islamic Central Asia | p. 935 |
Kazakh Music | p. 949 |
Music of Turkmenistan | p. 965 |
Music in Tuva | p. 979 |
When Uygurs Entertain Themselves | p. 989 |
Muqam in the Tradition of the Uygurs | p. 995 |
Israel | p. 1011 |
Israel: An Overview | p. 1013 |
Musical Life and Institutions in Israel: 1880-1990 | p. 1023 |
Snapshot: Mizrahi Music in Israel--Zohar Argov and Zahava Ben Sing Perah be-Gani | p. 1033 |
Music of the Maghribi Jews in North Africa and Israel | p. 1035 |
Liturgical Music of the Yemenite Jews in Israel | p. 1047 |
Music Scholarship in Israel | p. 1057 |
Popular Music in Israel | p. 1069 |
Glossary | p. 1077 |
A Guide to Publications on Middle Eastern Music | p. 1097 |
A Guide to Recordings of Middle Eastern Music | p. 1127 |
A Guide to Films and Videos of Middle Eastern Music | p. 1137 |
Notes on the Audio Examples | p. 1139 |
Index | p. 1145 |
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