The Mind in the Cave : Consciousness and the Origins of Art - David Lewis-Williams

The Mind in the Cave

Consciousness and the Origins of Art

By: David Lewis-Williams

Paperback | 5 April 2004 | Edition Number 1

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The breathtakingly beautiful art created deep inside the caves of western Europe has the power to dazzle even the most jaded observers. Emerging from the narrow underground passages into the chambers of caves such as Lascaux, Chauvet, and Altamira, visitors are confronted with symbols, patterns, and depictions of bison, woolly mammoths, ibexes, and other animals. Since its discovery, cave art has provoked great curiosity about why it appeared when and where it did, how it was made, and what it meant to the communities that created it. David Lewis-Williams proposes that the explanation for this lies in the evolution of the human mind. Cro-Magnons, unlike the Neanderthals, possessed a more advanced neurological makeup that enabled them to experience shamanistic trances and vivid mental imagery. It became important for people to "fix," or paint, these images on cave walls, which they perceived as the membrane between their world and the spirit world from which the visions came. Over time, new social distinctions developed as individuals exploited their hallucinations for personal advancement, and the first truly modern society emerged. Illuminating glimpses into the ancient mind are skillfully interwoven here with the still-evolving story of modern-day cave discoveries and research. Now in paperback, "The Mind in the Cave is a superb piece of detective work, casting light on the darkest mysteries of our earliest ancestors while strengthening our wonder at their aesthetic achievements.
Industry Reviews
'It is hard to praise this book too highly. I have read nothing more fascinating all year' - John Carey, Sunday Times
'The most comprehensive and convincing explanation for the cave art in Europe so far' - Chris Stringer, Evening Standard
'A genuine masterpiece' - Jean Clottes
'A masterly piece of detective work' - Sunday Telegraph
'A thorough, accessible and beautifully illustrated history of the origins of art based on anthropological and neurological research' - Observer
'A fascinating and closely argued analysis' - Colin Renfrew, University of Cambridge

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