Written in melodious and hypnotic 'slow prose', A New Name: Septology VI-VII is a transcendent exploration of the human condition by Jon Fosse, and a radically other reading experience - incantatory, hypnotic, and utterly unique.
Winner of the Nobel Prize in Literature 2023
Asle is an ageing painter and widower who lives alone on the southwest coast of Norway. His only friends are his neighbour, Asleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjorgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgangers - two versions of the same person, two versions of the same life, both grappling with existential questions.
In this final instalment of Jon Fosse's Septology, the major prose work by 'the Beckett of the twenty-first century' (Le Monde), Christmas is approaching. Tradition has it that Asleik and Asle eat lutefisk together, but this year Asle has agreed for the first time to celebrate Christmas with Asleik and his sister, Guro. On Christmas Eve, Asleik, Asle, and the dog Bragitake Asleik's boat out on the Sygnefjord. Meanwhile, we follow the lives of the two Asles as younger adults in flashbacks: the narrator meets his lifelong love, Ales; joins the Catholic Church; starts exhibiting with Beyer; and can make a living by trying to paint away all the pictures stuck in his mind. After a while, Asle and Ales leave the city and move to the house in Dylgja. The other Asle gets married too, but his wedding ends with a sobbing bride and is followed soon after by a painful breakup.
'Jon Fosse is a major European writer.' - Karl Ove Knausgaard, author of My Struggle
Industry Reviews
'A deeply moving experience. At times while reading the first two books of Septology, I walked around in a fugue-like state, wondering what it was that I was reading, exactly. A parable? A gospel? A novel bereft of the usual markings of plot, time, and character? The answer appeared to be all of the above, but although I usually balk at anything mystical, the effect was haunting and cumulative. ... I hesitate to compare the experience of reading these works to the act of meditation. But that is the closest I can come to describing how something in the critical self is shed in the process of reading Fosse, only to be replaced by something more primal. A mood. An atmosphere. The sound of words moving on a page.' - Ruth Margalit, New York Review of Books
