All that Gothic

Contents: Weronika ?aszkiewicz: Perversity in the Selected Works of Edgar Allan Poe - Marek Wilczy?ski: From Scratch Once More or, Sam Lawson Restarts the American Gothic - Wit Pietrzak: From Faustus to Azatoth: H. P. Lovecraft's «Dreams in the Witch-House» (of Modernity) - Zofia Kolbuszewska: Gothic Metalepsis and Ekphrastic Horror: Self-Conscious Reflection on the Ambivalent Cultural Status in Stephen King's «The Road Virus Heads North» - Dorota Filipczak: Loveless Legacies: Gothic Mothers and Haunted Daughters in Postcolonial Literature - Anna Branach-Kallas: Reading (Post-) Colonial Terror within Gothic Aesthetics: The Conceptual Limits of Postcolonial Gothic in Canadian Aboriginal Fiction - Monika Kocot: The Haunting of the House in Charlotte Perkins Gilman's «The Yellow Wallpaper» - Krzysztof Kosecki: Hermann Hesse's Steppenwolf as a Modern Gothic Tale: A Cognitive Poetic Perspective - Yvonne Leffler: «Nature is the Church of Satan.» The Gothic Topography in Contemporary Scandinavian Horror Novels and Films - Agnieska ?owczanin: Antonia and the Male Gaze. Imaging Femininity in M. G. Lewis's The Monk - Tomasz Fisiak: Who's Afraid of Carmilla? Le Fanu's «Carmilla»: Gender and Power - Sara Tavassoli: Grotesque Revived: Monstrosity in Angela Carter's Nights at the Circus - Agnieszka Kotwasi?ska: Body out of (Human) Bounds: Lesbian Transformations in Contemporary Horror Fiction - Jadwiga W?grodzka: E. Nesbit and the Gothic Mode in Children's Fiction - Barbara Braid: Gothic Subversions of Heterosexual Matrix in Sarah Waters's Affinity - Marta Goszczy?ska: Floating Worlds, Splintered Narratives and Unstable Identities: The Spectral Return of the Gothic in Sarah Waters's Fingersmith - Elisabeth Bronfen: Gothic Dispatches from War Zones - Ewa Partyka: Gothic Elements in Vampire Films by Hammer Film Productions - Agnieszka Rasmus: Peter Bogdanovich's Targets: The Old Gothic Monster vs. the New Villain - Katarzyna Ma?ecka: «I've seen bodies shining like stars»: Making a Case for Necrophilia in Lynne Stopkewich's Kissed - Elena Baeva: As Gothic As It Gets? E. Elias Merhige's Shadow of the Vampire - A Gothic Film on the Gothic Nature of Film - Agnieszka Izdebska: Gothic Convention and the Aesthetics of Failure.