List of figures
List of tables
Preface
Foreword
Acknowledgements
Note on text/translation
1.. Introduction: Why archives and emotions?, Ilaria Scaglia and Valeria Vanesio (Aston University, UK, and University of Malta, Malta)
2.. Across the national and the international: Exchanges on archives and emotions at the League of Nations and beyond, Ilaria Scaglia and Valeria Vanesio (Aston University, UK, and University of Malta, Malta)
Part I: Emotions and the Shaping of the Archives
3.. True crime in the archives: The eighteenth-century Old Bailey and the emotions of sensationalism, Anna Pravdica (University of Warwick, UK)
4.. Moral exculpation along the archival grain: Self-censoring, war trauma, and the reporting of German soldiersâ suicides, 1914â"1918, Matthew Hershey (University of Michigan, USA)
5. âThe last letter I ever received:â Managing epistles & emotions in eighteenth-century family archives, Imogen Peck (University of Birmingham, UK)
6. The emotions of expertise: Whiteness and dismissal in the US archaeological archive of 1960s Peru, Rachel Sarah OâToole (University of California, USA)
7. A conscious ripping: Emotions in the construction and destruction of Anna Bantiâs archive, Annantonia Martorano (University of Florence, Italy)
8. Looking for an objective emotionality: The ârationalized archivesâ of an Italian twentieth-century artist, Lorenzo Sergi (University of Florence, Italy)
Part II: Emotions, Archives, and Their People
9. Archivists and emotional labor: Preserving personas and personal identities in archives, Kristen J. Nyitray and Dana Reijerkerk (Stony Brook University, USA and Independent Scholar, USA)
10. Memory keepers unveiled: The emotional styles behind the archives, Tijana Rupcic (Central European University, Austria)
11. Unveiling the untold story: Emotions in National Archives, Charles J. Farrugia (University of Malta, Malta)
12. Bearing witness to the historical record: A psychosocial/psychodynamic method for working with archival materials, Iqbal Singh and Kevin Lu (National Archives, UK and University of London, UK)
13. Real and imagined archives: The emotional impact of Zimbabweâs displaced Rhodesian Army Archives, Forget Chaterera-Zambuko (Sorbonne University, Abu Dhabi, UAE)
14. Future perfect? Affect-aware, history-informed, future-oriented archive-making, Anne J. Gilliland (University of California, USA)
Afterword
Bibliography
Index