Arrow is a debut volume extraordinary in ambition, range and achievement. At its centre is 'Dear, beloved', a more-than-elegy for her younger sister who died suddenly: in the two years she took to write the poem, much else came into play: 'it was my hope to write the mood of elegy rather than an elegy proper,' following the example of the great elegists including Milton, to whose Paradise Lost she listened during the period of composition, also hearing the strains of Brigit Pegeen Kelly's Song, of Alice Oswald and Marie Howe. The poem becomes a kind of kingdom, 'one that is at once evil, or blighted, and beautiful, not to mention everything in between'.
As well as elegy, Chakraborty composes invocations, verse essays, and the strange extended miracle of the title poem, in which ancient and modern history, memory and the lived moment, are held in a directed balance. It celebrates the natural forces of the world and the rapt experience of balance, form and - love. She declares a marked admiration for poems that 'will write into being a world that already in some way exists'. This is what her poems achieve.
About the Author
Sumita Chakraborty is a poet, essayist, and scholar. She is Helen Zell Visiting Professor in Poetry at the University of Michigan, where she teaches literary studies and creative writing. In 2017, she received a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, and in 2018, her poem 'And death demands a labor' was shortlisted for a Forward Prize for Best Single Poem by the Forward Arts Foundation. Formerly, she was poetry editor of AGNI Magazine and art editor of At Length.
Industry Reviews
'This powerful and endlessly mysterious collection of poems is a book of fables, of spells, of revised narratives, and of realigned songs, brightly lifted above our bodies by music that is as unpredictable as it is marvelous. The lyricism is everywhere apparent as Sumita Chakraborty addresses us, our bodies and their stories, our planet, and our sense of time itself. How does she do it? Mad Ireland hurt him into poetry, W.H. Auden wrote about Yeats, and as the hurt enters Chakraborty's language, we see that in speech violated, sounds and meanings - and even the oldest of human mysteries, like 'the etymology of love' - are redefined. All one can do is repeat: this is an endlessly compelling book. Bravo.'
Ilya Kaminsky author of Deaf Republic
'About a quarter of the way through Sumita Chakraborty's Arrow, the reader encounters an impossible poem called 'Dear, beloved.' It's impossible because who could write it? It's as large, in its way, as any epic, but as compressed as any lyric, and as beautiful as any lyric, but as foundational as any epic, but it seems to come after all things, though it seems, also, diurnal. And it's impossible also because it's a highlight, not the highlight, of Arrow, a debut as assured as any first or last book, as compelling as any, as well-made.'
Shane McCrae author of The Gilded Auction Block
'I stand in awe of Sumita Chakraborty's visionary collection, by turns epic and compressed in scope, weighty in its tapestry-like materiality and sleekly dynamic as an arrow... Seamless and diverse in form, cosmic in subject and image.'
Diane Seuss author of Four-Legged Girl
