| Introduction | p. xiii |
| Electrical Principles | p. 1 |
| Audio's Three Parts | p. 1 |
| Electronics and Electricity | p. 1 |
| An Electrical Circuit | p. 2 |
| Electrical Principles | p. 3 |
| Ohm's Law | p. 4 |
| Using Ohm's Law | p. 4 |
| Voltage Drop | p. 5 |
| Introduction to Measurements | p. 6 |
| Inductance, Capacitance, and Impedance | p. 7 |
| Resonance | p. 8 |
| Line Impedance | p. 9 |
| Magnetism and Speaker Drivers | p. 10 |
| Speakers and Electric Motors | p. 11 |
| The Inverse Square Law and Speaker Design | p. 12 |
| Bi-Polarity | p. 13 |
| Direct and Alternating Current | p. 13 |
| Graphical Representation of Waveforms | p. 14 |
| Meters and Electrical Measurements | p. 17 |
| Multimeters | p. 17 |
| Voltage Measurement | p. 18 |
| Current Measurement | p. 19 |
| A Word of Warning about Meter Current Ranges | p. 21 |
| Resistance Measurement | p. 21 |
| Using Analog and Digital Multimeters | p. 22 |
| Accuracy of a Meter | p. 22 |
| Meter Sensitivity | p. 25 |
| Additional Features Available in Multimeters | p. 26 |
| Oscilloscopes | p. 26 |
| Oscilloscope Experiments | p. 28 |
| Amplifiers and Transmission Lines | p. 29 |
| Power Amplifier Lines and Loads | p. 29 |
| The Input Circuit | p. 30 |
| The Output Circuit | p. 31 |
| Avoidable Failures | p. 32 |
| Speaker Impedance Matching | p. 33 |
| Constant Voltage Lines | p. 34 |
| RMS Voltage and Current | p. 36 |
| Power | p. 38 |
| Amplifier Output Power Measurement | p. 39 |
| DC Offset Voltage | p. 41 |
| Catastrophic Failures | p. 43 |
| Dummy Loads | p. 44 |
| Cascading Power Amplifiers | p. 45 |
| Line Amplifiers | p. 46 |
| Voltage Amplifiers | p. 47 |
| Audio Lines | p. 48 |
| Coaxial Transmission Lines | p. 49 |
| Hearing-Aid Induction Loops | p. 50 |
| DC Coupled Amplifiers | p. 51 |
| Sound Waves and Decibels | p. 53 |
| The Audio and Electromagnetic Spectra | p. 53 |
| The 630 Hz Tool | p. 54 |
| Frequency and Wavelength | p. 57 |
| Propagation | p. 57 |
| Audio Measurements | p. 58 |
| Noise and Distortion Thresholds | p. 60 |
| Decibels and Power | p. 63 |
| Decibels Further Explained | p. 65 |
| Case Histories | p. 68 |
| Shutting the door after the horse has bolted | p. 68 |
| Hazards of arbitrarily adding an insert point | p. 69 |
| Transfer Characteristic and Networks | p. 75 |
| Transfer Characteristic and Distortion | p. 75 |
| Electro-Mechanical and Acoustic Transfer | p. 80 |
| Preparing for Unavoidable Transfer Errors | p. 81 |
| Networks | p. 81 |
| Attenuators | p. 83 |
| Variable Attenuators | p. 84 |
| Loss Pads | p. 85 |
| Filters and Equalizers | p. 86 |
| Resistances in Series and Parallel | p. 92 |
| When to Use a Fixed Equalizer | p. 92 |
| Cautions Regarding Equalizer Use | p. 93 |
| Recovery Amplifiers | p. 94 |
| Active Crossovers and Speaker Processors | p. 95 |
| Speakers | p. 99 |
| Speaker Power Ratings | p. 99 |
| Estimating the Power to a Speaker | p. 101 |
| IEC Speaker Power Rating | p. 101 |
| Directional Properties and Stereo Image | p. 102 |
| Stereo Surround | p. 103 |
| Poor Man's Surround | p. 104 |
| Using Speaker Directional Properties | p. 105 |
| Frequency Response of Speakers | p. 108 |
| Response Limits of Speakers | p. 109 |
| Standing Waves | p. 111 |
| Efficient Bass Speaker Placement | p. 111 |
| Speaker Baffles | p. 112 |
| Bass Box Design | p. 113 |
| Intermodulation Distortion | p. 115 |
| Phase Response of Speakers | p. 116 |
| Speaker and Driver Phasing | p. 116 |
| Speaker Efficiency | p. 118 |
| Theater Speaker Evolution | p. 119 |
| Importance of Theater Speaker Dispersion Angle | p. 121 |
| Recent Developments | p. 122 |
| Cinema High-Frequency Roll-Off | p. 123 |
| Auditorium Response Limitations | p. 125 |
| Monitor Speakers | p. 126 |
| Limited Monitors | p. 127 |
| Auditorium and Monitor Calibration | p. 127 |
| Speaker Response Measurements | p. 132 |
| Auditorium and Monitor Levels | p. 134 |
| Why Do Commercials Sound Louder? | p. 135 |
| Headphones | p. 136 |
| Tape Recorders and Monitor Selectors | p. 137 |
| Magnetic Recorders | p. 138 |
| Recorder Features and Types | p. 141 |
| Simplifying Complicated Concepts | p. 142 |
| General Purpose Monitor Selectors | p. 144 |
| Introduction to Studio Monitor Selectors | p. 148 |
| Monitor Selectors for Studio Mixers | p. 149 |
| Drop-Edits and Insert Recorders | p. 151 |
| Zero Level and Line Level | p. 152 |
| Recorder Line-Up Tone | p. 153 |
| Tape Recorder Alignment | p. 153 |
| Mixers | p. 157 |
| Introduction to Mixers | p. 157 |
| The Difference between Speech and Dialog | p. 160 |
| Dialog Processing | p. 161 |
| Dialog Equalizer/Compressor Combination | p. 163 |
| Where Not to Use Dialog Processing | p. 166 |
| Background Suppression | p. 167 |
| Bandpass Filters | p. 168 |
| Dip Filters | p. 172 |
| Points to Consider when Mixing | p. 172 |
| The Effects Channels | p. 173 |
| Digital Sound Processing and Equipment | p. 175 |
| Unlocking the Noise Gate | p. 176 |
| Acoustics | p. 179 |
| Rooms and Acoustics | p. 179 |
| Reverberation and the Absorption Spectrum | p. 179 |
| Sound Isolation and Acoustics | p. 180 |
| Equalizing the Absorption Frequency Response | p. 181 |
| Acoustic Control by Diffusers and Resonators | p. 181 |
| Sound Isolation Construction | p. 186 |
| Overcoming Building Noises | p. 190 |
| Planning and Supervising a Building Project | p. 193 |
| Silencing a Generator | p. 194 |
| Audio Cabling | p. 197 |
| Balanced and Unbalanced Lines | p. 197 |
| Short Run Audio Wiring | p. 200 |
| Long Balanced and Unbalanced Lines | p. 200 |
| Reducing Noise Interference at Source | p. 204 |
| Safety | p. 205 |
| Connections to Various Types of Equipment | p. 206 |
| Cable Segregation and Rack Termination | p. 208 |
| There-and-Back Cable Termination | p. 208 |
| Pre-Measured Cable Runs and Junction Boxes | p. 210 |
| Prefabricated Cable Looms | p. 210 |
| Keeping RF Out of Systems and Cables | p. 211 |
| Transformers and Power Supplies | p. 215 |
| Transformers | p. 215 |
| Auto-Transformers | p. 220 |
| Making Auto-Transformers to Order | p. 221 |
| Transformer Frequency Response | p. 221 |
| The Electricity Supply Mains | p. 222 |
| Rectifiers and Power Supplies | p. 223 |
| Regulators | p. 226 |
| Voltage and Current Regulation | p. 227 |
| Zener Diodes | p. 228 |
| Regulator Noise | p. 228 |
| Switch-Mode Power Supplies | p. 229 |
| Three Dollar Tester | p. 229 |
| Power Supply Faults | p. 230 |
| Batteries and Chargers | p. 231 |
| Lead-Acid Batteries | p. 232 |
| Precautions with Acid Batteries | p. 233 |
| Nickel-Cadmium Batteries | p. 234 |
| Choice of Battery | p. 235 |
| Control Systems | p. 237 |
| Basic Control Groups | p. 237 |
| Relays | p. 238 |
| Relay Timer Circuits | p. 241 |
| Motor Reversing | p. 242 |
| Solid State Control Devises | p. 243 |
| Relays Versus Electronic Control | p. 245 |
| Solder and Assembly Methods | p. 247 |
| Soldering | p. 247 |
| Tools | p. 247 |
| Soldering Techniques | p. 248 |
| Using Additional Flux | p. 252 |
| Troubleshooting, Inspection, and Re-Soldering | p. 253 |
| When Not to Re-Solder | p. 254 |
| Choosing and Fitting Connectors | p. 254 |
| Solderless and Crimp Connectors | p. 257 |
| Wire Wrap | p. 258 |
| Installation Planning | p. 259 |
| Diagrams | p. 259 |
| How Far to Go with Drawing Detail | p. 264 |
| Drawing a System Block Diagram | p. 264 |
| Patchbay Layout and Wiring | p. 268 |
| Racks and Panels | p. 270 |
| Examples of Standard and Special Racks | p. 276 |
| Communicating Ideas | p. 276 |
| Front Opening Racks | p. 282 |
| Panel Design | p. 282 |
| Control Grouping | p. 284 |
| Laying Out a Panel | p. 287 |
| Lettering, Styling, and Engraving | p. 287 |
| Scales for Potentiometers and Switches | p. 288 |
| Before Starting Work on a Panel | p. 289 |
| Materials and Panel Thickness | p. 290 |
| Panels for Membrane Switches | p. 291 |
| Brackets and Shelf Units for Mobile Equipment | p. 292 |
| Drilling Precision Holes in Metal and Plastic | p. 294 |
| Home Theater Sound | p. 297 |
| Real Theater Sound at Home | p. 299 |
| Surround Speaker Position | p. 300 |
| Equalizing the Center Channel | p. 301 |
| Case History | p. 302 |
| Bass and treble OK, but sound is bad | p. 302 |
| Adding a Sub-Bass | p. 304 |
| Bass Distortion and Power Loss | p. 306 |
| Maintaining Program Dynamic Range | p. 307 |
| Working with Formulae - Practical Examples of Common Calculations | p. 309 |
| Calculating Voltage Drop Resistance | p. 309 |
| Calculating Amplifier Output Power | p. 310 |
| Calculating LED Resistor Values | p. 310 |
| Calculating AC Transformer Secondary Voltage for a Given DC Rectifier Output | p. 311 |
| Diagram Symbols | p. 313 |
| A Mechanical Design Exercise | p. 321 |
| Making a High Gain Video Projection Screen | p. 321 |
| Consequential Design Steps | p. 324 |
| Estimating Power to Speakers | p. 327 |
| How Much Power is Going to the Speakers? | p. 328 |
| Field Assessment of Power to a Speaker | p. 328 |
| Glossary | |
| Index | p. 331 |
| Table of Contents provided by Syndetics. All Rights Reserved. |