Bela Bartok in Italy

The Politics of Myth-Making

By: Nicolo Palazzetti

Write A Review

Hardcover | 20 August 2021

At a Glance

Hardcover
320 Pages

Dimensions(cm)
24 x 16.5 x 2

Hardcover

Limited Stock Available

$303.75

or 4 interest-free payments of $75.94 with

In Stock and Aims to ship in 1-2 business days

This book examines the reputation of the Hungarian composer Bela Bartok (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music. The book argues that the 'Bartokian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartok myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartok into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.

Industry Reviews

Palazzetti takes up [an] important and ground-breaking study of Bartok in Italy. [...]. Exploring the roots of [Bartok's] canonization - the myth-making referred to in the book's subtitle - and its multiple political purposes, Palazzetti follows the trajectory of the composer's experiences and the popularity of his music before, during and after the fascist ventennio. [...]. The meticulously researched list of performances of Bartok's music from the very first, in 1911, to the end of 1950 is an invaluable resource, and reveals how often some of the most demanding works were played. [...]. The situation is one of condensed complexity, and Palazzetti is an excellent guide through its tangled paths. -- Kenneth Chalmers * OPERA *
True to the ethos of contemporary musicology, Palazzetti worries away at the parallelisms between the work of composers and the lives lived within cultures [...]. The very particular specifics of Palazzetti's material, so thoroughly researched and referenced in this book, raise many resonances, already debated by [...] Bartok scholars [...], as well as authors concentrating on Cold War cultural studies. -- Arnold Whittall * THE MUSICAL TIMES *
A well-researched study of how politics can try to hijack music. -- Susan Pierotti * Stringendo, Journal of the Australian Strings Association *

Shipping

	Standard Shipping	Express Shipping
Metro postcodes:	$9.99	$14.95
Regional postcodes:	$9.99	$14.95
Rural postcodes:	$9.99	$14.95

How to return your order

At Booktopia, we offer hassle-free returns in accordance with our returns policy. If you wish to return an item, please get in touch with Booktopia Customer Care.

Additional postage charges may be applicable.