"We are made of stories, and, when they are as well-told as Silvina Ocampo's, they will remain after we are gone."-Dorothy Potter Snyder, Reading in Translation
"She is a remarkably visual writer. The situations she composes—innocence corrupted; class status revealed or revoked; the external effects on the body of various foods, states of weather, varieties of poison and medicine—make for phenomenal tableaux."—Laura Kolbe, New York Review of Books
"Suzanne Jill Levine, working with Jessica Powell on The Promise and Katie Lateef-Jan on Forgotten Journey, has produced a translation that beautifully captures the elegance and strangeness of Ocampo’s style. . . . The results are intoxicating."—Miranda France, The Times Literary Supplement
"Through these fantastical tales the narrator explores the life of young girls, their friendships, their inner solitudes, as well as the constant quest to understand the duality of life and the imagination."—Marjorie Agosin, author of I Lived On Butterfly Hill
"Ocampo inhabits and brings to life a hyper-real, surreal, and resolutely feminine world ruled by unapologetic beauty and pervading sadness."—Andrei Codrescu, author of No Time Like Now: New Poems
"We are made of stories, and, when they are as well-told as Silvina Ocampo’s, they will remain after we are gone."—Dorothy Potter Snyder, "Reading in Translation"
"Forgotten Journey and The Promise by late Argentine writer Silvina Ocampo are cornucopias, outpourings of words with the same concision we ascribe to nature. Descriptions pour forth not like water but sap, ensuring the reader will pause and savor, not just in a portrait but every paragraph, each word."—Ana Castillo, Women's Review of Books
"There is literature that takes the known world (a dinner party or a walk with a dog, first love or a visit to friends) and shows it in a way we've never seen before; there is literature that takes us to a place we've never been (early twentieth-century Buenos Aires or adrift in the middle of the ocean) and makes it somehow familiar. The marvel of Silvina Ocampo’s fiction is that it does both things simultaneously, its deepest context the confluence of the things of this world . . . "—Kathryn Davis, author of The Silk Road
"Suzanne Jill Levine and Katie Lateef-Jan's vivid translation of the whole of Forgotten Journey captures well Ocampo's unsettlingly topsy-turvy world, peopled by precocious children who act with the self-possession of adults, and adults cowed by the fears and phobias of childhood."—Fiona Mackintosh, author of Childhood in the Works of Silvina Ocampo and Alejandra Pizarnik
On Thus Were Their Faces: Selected Stories by Silvina Ocampo
"Dark, masterly tales. . . . a (very good) introduction. . . . Ocampo's technique is beyond all reproach; an author has to keep masterly control when letting events veer off beyond the quotidian (the phrase 'magic realism' seems inadequate when applied to her)." —Nicholas Lezard, The Guardian
"These stories are feverish, cruel, and wry, set among the surrealisms of puberty, disability, and precarity."—Joshua Cohen, Harper's
Praise for Silvina Ocampo:
"Ocampo wrote with fascinated horror of Argentinean petty bourgeois society, whose banality and kitsch settings she used in a masterly way to depict strange, surreal atmospheres sometimes verging on the supernatural." —The Independen
