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Critical games : On play and seriousness in academia, literature and life - Tim Beasley-Murray

Critical games

On play and seriousness in academia, literature and life

By: Tim Beasley-Murray

Hardcover | 17 June 2025

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Critical Games is about the games we play (whether we know it or not), the ways we play them (for fun, but also to win, and to gain approval from others), and what happens when they get out of hand.

The book interrogates the theory of play and gaming, with a particular focus on the games played by literary authors and literary critics. Drawing on (often self-critical) autobiography, as well as readings in texts across a range of languages, Tim Beasley-Murray plays with academic conventions to highlight what is at stake in them, turning to the Game of Literature, from Kafka to Carrere, to seek models and warnings of the outcomes of taking games too seriously, or not taking them seriously enough.

Industry Reviews

'It is unusual - perhaps even shocking - to write in praise of a book in which you are one of the characters. But this book is itself so unusual that I feel authorised to commit this transgression. In its exploration of literary works, writers' poses, and what one can say about them, Critical games marries deep seriousness with a playfulness whose vivacity sometimes borders on perversity - and I know what I am talking about. Constantly personal and unpredictable, this book explodes all academic frames and expectations. One reads it with growing curiosity, occasionally with a touch of irritation, but always with the greatest pleasure.'
Emmanuel Carr¨re

'This sui generis book takes us on a panoramic, topsy-turvy tour of the manifold ways that seriousness and play, wisdom and folly, are not stable opposites but intimate, entangled neighbors. This "amphibian" quality helps to define literature, but also the study of literature. In a playful and yet deeply serious turn, Beasley-Murray levels his wise-foolish, Socratic glance not just on a vast array of cultural texts but on academic life itself. The results will be revealing, and likely inspiring, for any curious reader - leaving us with a pair of dialectical spectacles, or 3D glasses, with which to gaze at the textual worlds around us, and at our own gazing selves.'
Alex Woloch, Stanford University

'Something serious, very serious, something that we usually call literary criticism is here at play, at play in that most playful of forms, the essay, allowing, as it does here, for anecdote, memoir, digression, epigram, and even fiction. This, then, is a book where criticism takes a holiday, a holiday that may yet prove almost to have been a holy-day, a day where to play is also to pray.'
John Schad, University of Lancaster

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