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A Doll's House, Part 2 - Lucas Hnath

A Doll's House, Part 2

By: Lucas Hnath, Henrik Ibsen (Characters created by)

Paperback | 26 February 2019

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Fifteen years after Nora Helmer slammed the door on her stifling domestic life, a knock comes at that same door. It is Nora, and she has returned with an urgent request. However, before Nora can get what she needs, she must reckon with the people she left in her wake, who have some choice words for the former Mrs. Helmer. Lucas Hnath's funny, probing, and bold new play is at once a continuation of Ibsen's complex exploration of traditional gender roles while also creating a sharp contemporary take on the struggles inherent in all human relationships.

About the Author

Lucas Hnath's plays include Hillary and Clinton, Red Speedo, The Christians, A Public Reading of an Unproduced Screenplay About the Death of Walt Disney, Isaac's Eye, and Death Tax. His work has been produced at Actors Theatre of Louisville/Humana Festival of New Plays, Ensemble Studio Theatre, Gate Theatre, Mark Taper Forum, New York Theatre Workshop, Playwrights Horizons, Royal Court Theatre, Soho Rep, Traverse Theatre, and Victory Gardens. He has been a resident playwright at New Dramatists since 2011. He is a member of Ensemble Studio Theatre and a New York Theatre Workshop Usual Suspect. He has received the Kesselring Prize, a Guggenheim Fellowship, the Whiting Award, two Steinberg/ATCA New Play Award Citations, an Outer Critics Circle Award for Best New Play, and an Obie.
Industry Reviews

'Smart, funny and utterly engrossing... This unexpectedly rich sequel reminds us that houses tremble and sometimes fall when doors slam, and that there are living people within, who may be wounded or lost... Mr. Hnath has a deft hand for combining incongruous elements to illuminating ends'

-- Ben Brantley * New York Times *

'Hnath's play is less a conventional sequel than a thought experiment inspired by the original. Luckily, Hnath is no mean thinker... Provocatively, the play functions as both homage and riposte, casting a critical eye on Nora's choices and trying to wrestle with their consequences... Hnath writes fast, vibrant dialogue - much of it in a salty, modern vernacular'

* Guardian *

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