Praise for The Lost Journals of Sacajewea
"[In The Lost Journals of Sacajewea] the suffering-and bold, ingenious agency-of women held as captives by both Native and Euro-Americans is rendered with special vividness [. . .] The narration is rich in realistic detail but animated by a dreamlike intensity [. . .] Throughout the text, Sacajewea memorably enacts what Gerald Vizenor dubs survivance, the negotiation of existential challenges with a spirited, oppositional inventiveness. A profoundly moving imagining of the impressions and contributions of a major historical figure."-Kirkus Reviews, starred review
"At its surface, this may be a novel, but deeper down, it's a spirit- song, an invocation, a magical incantation. The language simultaneously keeps Sacajewea unknowable and gives us a path to greater understanding. The poetic prose elevates it from a tragic story to a founding mythic ethos of America. In this, Earling has given us a new model for the literature of the West. The Lost Journals of Sacajewea changes how novels will be written, or at least it should."-Marc Beaudin, Big Sky Journal
"[The Lost Journals of Sacajewea] offers new perspective on what is known, and debated, about the life of Sacajewea, including her age, her marriage to a French fur-trader (Toussaint Charbonneau), and her experience as the only woman traveling on the 1804-1806 Corp of Discovery expedition with Meriwether Lewis and William Clark. In poetic prose, Earling interweaves factual accounts of Sacajewea's life with a first-person narrative deeply rooted in the physicality of landscape and brutality of the times."-Jessica Gigot, Seattle Times
"[The Lost Journals of Sacajewea is] an impressionistic, poetic account, one that vividly renders external hardships and internal thoughts, giving equal weight to each. [. . .] it delivers a uniquely thorough perspective on the mind of a particular young woman, both ordinary and extraordinary. In this way, we come to understand Sacajewea more deeply-certainly more than we understand the men of famous names like Lewis and Clark. lt's a book to enjoy like a river: you give yourself over to it and follow where it takes you."-Greer Macallister, Chicago Review of Books
"Earling lets Sacajewea tell her own story, in her own voice, revealing a complex, determined woman who makes hard choices in the face of ongoing loss and violence. It's a beautiful and ultimately hopeful novel that lays bare many important truths about American history and myth-making."-Book Riot, 20 Must-Read Books of Indigenous Historical Fiction
"Earling adds a much-needed Native woman's perspective to Sacajewea's story, bringing a note of resilience to her unflinching account of the white men's violence and depredation: 'Women do not become their Enemy captors. We survive them.' This is a beautiful reclamation."-Publishers Weekly<
"Earling 'shatters' conventional form to create a movement that is akin to poetry but much more dynamic. Earling bends and slants words, electrifying Sacajewea's attempts to comprehend and describe what is happening in her often violent and unstable world .[ . . .] Earling creates immersive landscapes where women like Sacajewea and Louise Yellow Knife [from Perma Red] are given an opportunity to speak; she writes with distinct, unflinching attention even as her characters suffer brutal physical and sexual violence."-Maggie Neal Doherty, High Country News
