| Introduction | p. ix |
| Introduction to Photo Styling | p. 1 |
| What Is a Photo Stylist? | p. 3 |
| Describing What You Do | p. 3 |
| The Real Life Resume | p. 5 |
| Fashion Styling | p. 11 |
| Wardrobe Styling | p. 12 |
| Styling Off-Figure | p. 13 |
| Product Styling | p. 14 |
| Food Styling | p. 15 |
| Room Sets and Bedding | p. 15 |
| Primed to Improvise | p. 16 |
| The Photo Shoot | p. 17 |
| What to Wear | p. 17 |
| The Crew | p. 19 |
| A Typical Day in the Studio | p. 22 |
| Location Days | p. 23 |
| The "Polaroid Process" | p. 23 |
| Digital Photography | p. 25 |
| Communication | p. 26 |
| Working with Children | p. 27 |
| Working with Animals | p. 28 |
| Photo Shoot Etiquette | p. 29 |
| After the Shoot | p. 30 |
| Styling Basics | p. 31 |
| Getting Started | p. 31 |
| The Rolling Rack | p. 34 |
| The Steamer | p. 35 |
| The Studio Environment | p. 39 |
| Safety on Location | p. 42 |
| Prepping for Your Styling Business | p. 42 |
| Stylists on Staff | p. 45 |
| Other Roles a Stylist Plays | p. 51 |
| The Importance of Being Versatile | p. 51 |
| Production | p. 52 |
| Location Scouting and Permits | p. 52 |
| Casting Talent | p. 56 |
| Booking Talent | p. 59 |
| Makeup | p. 60 |
| Meals and Snacks | p. 61 |
| Shopping for Props and Accessories | p. 62 |
| "Unshopping," the Art of Returns | p. 66 |
| Photo Styling Specifics | p. 69 |
| Fashion Styling | p. 71 |
| Editorial Fashion Styling | p. 72 |
| Fashion Advertising | p. 76 |
| Catalog Fashion Styling | p. 77 |
| The Fashion Shoot | p. 79 |
| Techniques and How-Tos | p. 81 |
| International Travel | p. 84 |
| Getting Started in the World of Fashion | p. 86 |
| Related Careers in Fashion | p. 90 |
| Specialty Kit List | p. 91 |
| Wardrobe Styling | p. 94 |
| Lifestyle Photography | p. 94 |
| Editorial Wardrobe Styling | p. 95 |
| Film and Video | p. 97 |
| Acquiring Wardrobe and Accessories | p. 99 |
| Dressing the Models | p. 103 |
| Role of an Assistant | p. 104 |
| Kits for Wardrobe Shoots | p. 105 |
| Styling Off-Figure | p. 107 |
| Why Use Off-Figure Styling? | p. 107 |
| Clothing Construction | p. 109 |
| Setting Up the Photograph | p. 110 |
| Stacks | p. 111 |
| Hangers | p. 113 |
| Laydowns | p. 114 |
| Mannequins | p. 116 |
| Wall Styling | p. 116 |
| Specialty Kit List | p. 122 |
| Learning Opportunities | p. 124 |
| Product Styling | p. 125 |
| A Product Stylist's Story | p. 126 |
| Prop Ideas | p. 127 |
| Catalog Product Styling | p. 129 |
| Editorial Styling | p. 131 |
| Mood Shots and Branding | p. 132 |
| Setting Up the Photograph | p. 134 |
| Techniques for Making Objects Obey | p. 136 |
| Styling Shoes | p. 138 |
| Creative Problem Solving | p. 139 |
| Kit Suggestions | p. 140 |
| Food Styling | p. 141 |
| Meet a Food Stylist | p. 141 |
| Overview of Food Styling | p. 142 |
| Styles of Food Photography | p. 145 |
| Professional Training | p. 149 |
| Techniques | p. 152 |
| Tools of the Trade | p. 153 |
| Room Sets and Bedding | p. 155 |
| Architectural Photography | p. 155 |
| A Home Stylist's Story | p. 156 |
| Home Magazines | p. 159 |
| Production Designer | p. 161 |
| Styling Suggestions for Rooms | p. 164 |
| How to Style Bedding | p. 167 |
| Specialty Kit Lists | p. 170 |
| Business for Photo Stylists | p. 173 |
| Marketing Yourself | p. 175 |
| A Makeup Artist's Story | p. 175 |
| Building Your Styling Business | p. 178 |
| Collaboration and Testing | p. 180 |
| Acquiring Samples of Your Work | p. 183 |
| Your Portfolio | p. 185 |
| Your Web Site | p. 187 |
| Building Your Resume | p. 190 |
| Self-Promotion, Your Other Hat | p. 194 |
| Selling Your Talents | p. 197 |
| The Business of Styling | p. 199 |
| Your Styling Rate | p. 199 |
| Estimating Projects | p. 204 |
| Client Agreements | p. 204 |
| Job Envelope | p. 208 |
| Invoicing | p. 209 |
| Banking and Credit Cards | p. 214 |
| Taxes | p. 215 |
| Business Licenses | p. 217 |
| Providing Your Own Benefits | p. 218 |
| Agency, Staff, or Freelance | p. 219 |
| Your Styling Kit | p. 223 |
| Kit Inspirations | p. 223 |
| The Container | p. 224 |
| Basic Styling Kit | p. 225 |
| Variations for Styling Specialties | p. 227 |
| Recommended Equipment | p. 228 |
| Kit Fees | p. 229 |
| Traveling with Your Kit | p. 230 |
| Your Own Kit List | p. 230 |
| Photo Styling for Models, Art Directors, and Photographers | p. 231 |
| The Model's Perspective | p. 233 |
| A Model's Function | p. 233 |
| The Happiness Effect | p. 235 |
| At the Photo Shoot | p. 235 |
| For New Models | p. 239 |
| Keeping Fit | p. 240 |
| What an Agent Does | p. 241 |
| Your Model Bag of Tricks | p. 244 |
| Image Decisions | p. 248 |
| The Art Director's Perspective | p. 249 |
| Art Director Defined | p. 249 |
| Learning How to Art Direct | p. 251 |
| Production Roles | p. 253 |
| The Photo Shoot | p. 255 |
| Directing the Stylist | p. 258 |
| Finding a Stylist | p. 258 |
| The Mood of the Shoot | p. 259 |
| Wrapping Up the Shoot | p. 261 |
| The Photographer's Perspective | p. 262 |
| Understanding Styling | p. 262 |
| Producing Photo Shoots | p. 266 |
| Working with a Stylist | p. 266 |
| When to Do Your Own Styling | p. 267 |
| Choosing the Best Stylist | p. 268 |
| Collaboration | p. 270 |
| Index | p. 271 |
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