Attention and Focus in Dance : Enhancing Power, Precision, and Artistry - Clare Guss-West

Attention and Focus in Dance

Enhancing Power, Precision, and Artistry

By: Clare Guss-West

Paperback | 28 January 2021 | Edition Number 1

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The Western approach to dance is largely focused on control and mastery of technique, both of which are certainly necessary skills for improving performance. But mindful attention, despite its critical role in high performance, has gotten short shrift-until now.

Attention and Focus in Dance, a how-to book rooted in the 20 years of attentional focus findings of researcher Gabriele Wulf, will help dancers unlock their power and stamina reserves, enabling efficient movement, heightening their sensory perception and releasing their dance potential. Author Clare Guss-West-a professional dancer, choreographer, teacher and holistic practitioner-presents a systematic, science-based approach to the mental work of dance. Her approach helps dancers hone the skills of attention, focus and self-cueing to replenish energy and enhance their physical and artistic performance.

A Unique, Research-Based Approach
Here is what Attention and Focus in Dance offers readers:

  • A unique approach, connecting the foundations of Eastern movement with Western movement forms
  • Research-based teaching practices in diverse contexts, including professional dance companies, private studios, and programmes for dancers with special needs or movement challenges
  • Testimonies and tips from international professional dancers and dance educators who use the book's approach in their training and teaching
  • A dance-centric focus that can be easily integrated into existing training and teaching practice, in rehearsal, or in rehabilitation contexts to provide immediate and long-term benefits
Guss-West explores attentional focus techniques for dancers, teachers and dance health care practitioners, making practical connections between research, movement theory and day-to-day dance practice.

"Many dancers are using excessive energy deployment and significant counterproductive effort, and that can lead to a global movement dysfunction, lack of stamina and an increased risk of injury," says Guss-West. "Attentional focus training is the most relevant study that sport science and Eastern-movement practice can bring to dance."

Book Organisation
The text is organised into two parts. Part I guides dancers in looking at the attentional challenges and information overload that many professional dancers suffer from. It outlines the need for a systematic attention and focus strategy, and it explains how scientific research on attentional focus relates to dance practice. This part also examines the ways in which Eastern-movement principles intersect with and complement scientific findings, and it examines how the Eastern and scientific concepts can breathe new life into basic dance elements such as posture, turnout and port de bras. Attention and focus techniques are included for replenishing energy and protecting against energy depletion and exhaustion.

Part II presents attention and focus strategies for teaching, self-coaching and cueing. It addresses attentional focus cues for beginners and for more advanced dancers and professionals, and it places attentional focus in the broader context of holistic teaching strategies.

Maximising Dance Potential
"Whether cueing others or yourself, cueing for high performance is an art," Guss-West says. "Readers will discover how to format cues and feedback to facilitate effective neuromuscular response and enhance dancer recall of information and accessibility while dancing."

Attention and Focus in Dance offers an abundance of research-backed concepts and inspirational ideas that can help dancers in their learning and performance. This book aids readers in filtering information and directing their focus for optimal physical effect. Ultimately, it guides dancers and teachers in being the best version of themselves and maximising their potential in dance.
Industry Reviews
"Clare Guss-West's holistic approach to classical ballet seems like an idea long overdue... Her approach offers ways to link the latest trends in choreographic innovation to the essence of traditional dance forms as energetic transformations of the spirit." Peter Lewton-President of International Association for Dance Medicine & Science (IADMS) "After using the Reflection Prompts from Chapter 2 and self-reflecting on how many external focus elements I use, I became so passionate that I gave a full class using only external focus. I was inspired to find new ways to guide dancers into what I want them to achieve." Javier Torres-International teacher, choreographer, and former professional dance "Clare is a very effective and enchanting educator. She offers elements to our practice that seem very ethereal yet are so practical; very elusive yet so easy. Enjoy discovering how less (but efficient) is sometimes more!" Astrid Sherman, FISTD-ISTD USA representative, former professional dancer, dance educator "I had the pleasure to come across the beautiful work of Clare Guss-West at the IADMS Conference, Seattle. The information and modalities that she has gathered to help with neural flexibility as well as assuring healthy and sensible physical engagement for dancers of all ages is presented in a open hearted and practical manner. One deceptively simple imaginary exercise introduced has proven to be an invigorating warm up in the ballet classroom. At IADMS Washington Conference she shared her insights into the way in which Qi Gong plays into dance. She has integrated her considerable understandings and skills in ways that the dancers can become more connected to their breath and increase their understanding of the origins of their movements." Stephanie Saland-Former professional dancer NYCB, Dance Educator

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