The Accompaniment in "Unaccompanied" Bach

Foreword / Mauricio Fuks Acknowledgements Introduction 1. Principles of Interpretation Notation Polyphony Harmony Metre Dynamics Inequality Fingering Note Length Bow Direction Articulations Ornamentation 2. Dance Forms Allemanda Bouree/Borea Ciaccona Corrente Gavotte Gigue/Giga Loure Menuet Sarabanda/Sarabande Siciliana Double Preludio 3. Analytical Methods and Exercises G-Minor Adagio G-Minor Fuga D-Minor Allemanda 4. The Improvisatory Movements G-Minor Sonata: Adagio A-Minor Sonata: Grave 5. The Fugues G-Minor A-Minor C-Major 6. The Ostinato Movements Partita II: Ciaccona Sonata III: Adagio 7. The Dance-like Movements Bouree and Borea Tempo di Borea B-Minor Corrente D-Minor Corrente Gavotte en Rondeau The Giga The Gigue The Loure The Menuets The Sarabande and Sarabanda The B-Minor Sarabande The D-Minor Sarabanda 8. The Virtuoso Movements G-minor Sonata: Presto B-Minor Corrente - Double The A-Minor Finale The C-Major Allegro assai The E-Major Preludio 9. The Philosophical Movements The Allemanda B-Minor Partita D-Minor Partita 10. The Lyrical Movements The Siciliana A-Minor Sonata: Andante The C-Major Sonata: Largo 11. Right-hand Technique Polyphony Chordal Technique Martele and Spiccato Sautille Bariolage Ondeggiando 12. Left-hand Technique The Role of Vibrato Half-Position Choice of Fingerings Intonation Tuning Last Words Bibliography