Bowie Unseen : Portraits of an Artist as a Young Man - Gerald Fearnley

Bowie Unseen

Portraits of an Artist as a Young Man

By: Gerald Fearnley

Hardcover | 1 August 2017

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In 1967, a 20-year-old David Jones decided to change his name to avoid confusion with the lead singer of the Monkees. He decided on 'Bowie'. By this time, Jones had been playing music for five years, appearing in and out of various bands, singing rock and roll at local youth gatherings, any pub that would have him and even a few weddings. Jones joimed the band the Konrads, but then soon left them for the King Bees. After a few more stop and starts, Jones became Bowie and met Derek 'Dek' Fearnley.

David Bowie enlisted Fearnley to help record an album. Reportedly learning by studying the Observer Book of Music, the two young musicians practiced, wrote and hung-out at the home of Fearnley's brother, Gerald.

When David Bowie by David Bowie was released on June 1, 1967 - the same day as The Beatles Sgt. Pepper's Lonely Hearts Club Band - little if anything happened. Nothing charted and the band parted ways.

Now - fifty years since the original photo session and release of David Bowie's debut album - the unseen photos of Gerald Fearnley are presented here for the first time. These whimsical, youthful images capture the artist as a young man only a few years before he'd transform himself into Ziggy Stardust and launch a career that would become one of the most successful and influential in the history of modern music.

Book Features:
  • Collects original and rare photographs from Bowie's debut album shoot, which were released for the first time as fine art prints in 2016
  • These pictures show Bowie pre-fame, pre Ziggy Stardust, as a young man unaware of what the future holds
  • A glimpse at the origins of a late great pop-music icon

About the Author

Gerald Fearnley is a professional photographer, famous for capturing the front cover shot for Bowie's first album, David Bowie, in the '60s. The friendship between the Fearnley family and Bowie meant that Bowie spent a lot of time at Gerald's house in Worcester Park, Surrey, both preparing for gigs and writing songs.
Industry Reviews
It's a collection of rare, original images from Bowie's first album shoot. They're beautiful in their own right -- with Bowie's unmistakable features, as yet untouched by the passage of time. But they're even more fascinating in light of what we know the artist will become -- the androgynous daredevil of Ziggy Stardust.-- "MetroSource Magazine"
Our appetite for anything Bowie has not lessened in the wake of the superstar's tragic passing last year, if anything we are hungrier than ever for any kind of connection to the beloved singer and as a result are seeing a surge in Bowie nostalgia -- primarily, rare or unseen images of the Brit.-- "Paper Magazine"
The icon died after a cancer battle in January 2016 as a champion for the weird and a musical hero for rock stars and mortals alike. But when he debuted with his self-titled LP on June 1, 1967, he did so as David Bowie... the photos taken during its cover shoot have resurfaced, offering a new look at the then-20-year-old as he was still finding his makeup-loving, dramatic-posing, avant-garde identity.--Madison Vain "Entertainment Weekly"
The legendary singer, songwriter and actor's life was very much out in the open, but just last year, an unseen series of photographs was released by the famous photographer Gerald Fearnley. The rare photos, taken 50 years ago for Bowie's first album cover shoot, are now being published in a book, released on Aug. 1, titled "Bowie Unseen: Portraits of an Artist as a Young Man."--Melanie Moccia "AXS"
The playful energy of a young Bowie comes alive through each of the images, delivering a strong sense of nostalgia to each page. The man in the photos, although familiar, feels like a new version of Bowie altogether, one quite separate from his glamorous stage persona.--Dominique Norman "Observer"
This was Bowie pre-Ziggy Stardust and stardom, shooting the cover for his first album. "I was the only one he knew with a studio camera," remembers the photographer Gerald Fearnley.--Chloe Fein "The Cut"

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