A Note on This Edition | p. xiii |
Introduction | p. xv |
Architecture, Painting, Literature | |
Proust: The Eighteenth-Century Method | p. 5 |
A Ghost of the Nineties | p. 8 |
(On Essays) | p. 11 |
(Proust and Best-Sellers) | p. 13 |
(Godwin and Bailey) | p. 15 |
(Balzac and Social History) | p. 18 |
(Aristocracy and Literature) | p. 20 |
(Alfieri) | p. 23 |
(Bacon's Symbolism) | p. 26 |
The Cry for a Messiah in the Arts | p. 28 |
The Modern Spirit and a Family Party | p. 32 |
Marie Laurencin: A Woman of Genius | p. 38 |
A Film with a Warning | p. 40 |
The Salzburg Festival | p. 46 |
The Portraits of Augustus John | p. 50 |
Royalty and a Caricature | p. 54 |
Centenaries | p. 59 |
On Re-reading Candide | p. 63 |
Subject-Matter of Poetry | p. 66 |
Water Music | p. 70 |
Bibliophily | p. 73 |
Accumulations | p. 75 |
On Deviating into Sense | p. 77 |
Polite Conversation | p. 80 |
Nationality in Love | p. 84 |
How the Days Draw In | p. 86 |
Beauty in 1920 | p. 90 |
Great Thoughts | p. 93 |
Advertisements | p. 95 |
Euphues Redivivus | p. 98 |
The Author of Eminent Victorians | p. 101 |
Edward Thomas | p. 104 |
A Wordsworth Anthology | p. 107 |
Verhaeren | p. 109 |
Edward Lear | p. 112 |
Sir Christopher Wren | p. 115 |
Ben Jonson | p. 119 |
Chaucer | p. 126 |
How to Write a Tragedy | p. 139 |
The Importance of the Comic Genius | p. 146 |
A Ballet in the Modernist Manner | p. 150 |
Fashions in Visual Imagery | p. 153 |
Popular Literature | p. 157 |
Art and Life | p. 161 |
The Spread of Bad Art | p. 166 |
What, Exactly, Is Modern? | p. 170 |
Where Are the Movies Moving? | p. 174 |
The Pleasant and the Unpleasant | p. 177 |
Books for the Journey | p. 180 |
Sabbioneta | p. 184 |
Breughel | p. 190 |
Rimini and Alberti | p. 199 |
Conxolus | p. 205 |
The Best Picture | p. 209 |
The Pierian Spring | p. 215 |
The Mystery of the Theater | p. 220 |
Music | |
Brahms | p. 227 |
Busoni, Dr. Burney, and Others | p. 229 |
The Interpreter and the Creator | p. 230 |
Good-Popular Music | p. 232 |
Instruction with Pleasure | p. 233 |
Emotional Contributions | p. 235 |
Light Opera and the New Stravinsky | p. 237 |
The Mysteries of Music | p. 238 |
Some Easter Music | p. 240 |
Music and Machinery | p. 242 |
Beethoven's Quartets | p. 243 |
Singing and Things Sung | p. 245 |
Patriotism and Criticism | p. 247 |
The Criticism of Music | p. 249 |
A Problem of Musical History | p. 252 |
The Question of Form | p. 253 |
Literary Music | p. 255 |
A Few Complaints | p. 257 |
Mr. Lawrence's Marchioness | p. 259 |
Supplementing the Concerts | p. 261 |
Orientalism in Music | p. 263 |
Music in a Museum | p. 265 |
Popular Tunes--Past and Present | p. 267 |
Let Us Now Praise Famous Men | p. 269 |
Thayer's Beethoven | p. 272 |
The Salzburg Festival--I | p. 274 |
The Salzburg Festival--II | p. 276 |
The Salzburg Festival--III | p. 278 |
Mozart at Salzburg | p. 280 |
Popular Music in Italy | p. 282 |
Some Very Young Music | p. 284 |
Reflections in the Promenade | p. 286 |
Busoni Again | p. 288 |
Reflections in the Concert Room | p. 290 |
New Friends and Old | p. 292 |
Variations | p. 294 |
Music and Politics | p. 295 |
An Orlando Gibbons Concert | p. 297 |
The Arnold Bax Concert | p. 299 |
Temporaries and Eternals | p. 301 |
Verdi and Palestrina | p. 303 |
Round About Don Juan | p. 305 |
Delius and the Nature-Emotion | p. 307 |
Bad Music | p. 309 |
Music in the Encyclopaedia | p. 311 |
Going to the Opera | p. 313 |
Handel, Polly, and Ourselves | p. 315 |
Music Clubs | p. 316 |
Cherubini--Emotion and Form | p. 318 |
Madrigals and Program Music | p. 320 |
The Hymn and the Dream | p. 321 |
Barbarism in Music | p. 323 |
Notes on a Pianist and on Pianos | p. 325 |
A Mozart Program | p. 327 |
Contemporaneousness | p. 329 |
Bach and Handel | p. 332 |
Books About Music | p. 334 |
What Are the Wild Waves Saying? | p. 336 |
Brahms's Birthday | p. 337 |
Opera, Marionettes, and Battistini | p. 339 |
Eclecticism | p. 341 |
Music and the Interpretative Medium | p. 343 |
Popular Music | p. 345 |
History, Politics, Social Criticism | |
Accidie | p. 351 |
Pleasures | p. 354 |
Modern Folk Poetry | p. 357 |
Democratic Art | p. 361 |
Follow My Leader | p. 364 |
The Dangers of Work | p. 369 |
On Not Being Up-to-Date | p. 372 |
Fashions in Love | p. 375 |
By Their Speech Ye Shall Know Them | p. 379 |
The Importance of Being Nordic | p. 383 |
The Horrors of Society | p. 388 |
The Psychology of Suggestion | p. 391 |
Talking of Monkeys | p. 394 |
A Night at Pietramala | p. 399 |
Work and Leisure | p. 410 |
Travel | |
Tibet | p. 419 |
Why Not Stay at Home? | p. 421 |
Wander-Birds | p. 426 |
The Traveler's-Eye View | p. 430 |
Guide-Books | p. 436 |
Spectacles | p. 441 |
The Country | p. 443 |
Montesenario | p. 448 |
Patinir's River | p. 450 |
Portoferraio | p. 451 |
The Palio at Siena | p. 453 |
Views of Holland | p. 459 |
Appendix | p. 465 |
Index | p. 467 |
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