Confronting the National in the Musical Past

Part 1 Confronting the National 1. Derek B. Scott, Cosmopolitan Musicology. 2. Shay Loya, Liszt's Transcultural Composition in the Year of the Franco-Prussian War. 3. Florian Scheding, The Heterotopia of Hanns Eisler. 4. Rutger Helmers, Musical Travels and Cosmopolitanism in the Mid-Nineteenth Century: Western Musicians in St Petersburg and Moscow (1830s-1840s). 5. Elaine Kelly, Transcending the National in Socialist Music: The Case of the German Democratic Republic. Part 2 Confronting National Institutions 6. Kevin C. Karnes, Aurality, History, and Being Together in Riga, before the Second World War 7. Markus Mantere, Two Means of Averting the Gaze from the Fatherland: Ilmari Krohn and Armas Launis as Cosmopolitan Musicologists in the Early Twentieth- Century Finland. 8. Tom Western, Nationalist Phonography and the Musical Past. 9. James Andean, Electroacoustic Mythmaking: National Grand Narratives in Electroacoustic Music. Part 3 Confronting National Stereotypes 10. Tomi Makela, Learning Music (Trans-)Nationally. On the Politics of Regional Images in Michael Aaron's, Robert Cracknell's, Margaret Martindale's and Matti Rautio's Tutorials. 11. Christina Linsenmeyer, Confronting the Cult of Stradivari in the context of French Nationalism. 12. Rachel Orzech, "A Universal Art, an Art for All": The Reception of Wagner in the Parisian Press, 1933. 13. Teresa Cascudo, Territory, a Key-Concept to Confront the National in the Musical Past.