'Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show'.
Dickens' epic, exuberant novel is one of the greatest coming-of-age stories in literature. It chronicles David Copperfield's extraordinary journey through life, as he encounters villains, saviours, eccentrics and grotesques, including the wicked Mr Murdstone, stout-hearted Peggotty, formidable Betsey Trotwood, impecunious Micawber and odious Uriah Heep.
Dickens' great Bildungsroman (based, in part, on his own boyhood, and which he described as a 'favourite child') is a work filled with life, both comic and tragic.
About the Author
Charles Dickens was born in Hampshire on February 7, 1812. His father was a clerk in the navy pay office, who was well paid but often ended up in financial troubles. When Dickens was twelve years old he was send to work in a shoe polish factory because his family had be taken to the debtors' prison. His career as a writer of fiction started in 1833 when his short stories and essays began to appear in periodicals. The Pickwick Papers, his first commercial success, was published in 1836. In the same year he married the daughter of his friend George Hogarth, Catherine Hogarth.
The serialisation of Oliver Twist began in 1837 while The Pickwick Papers was still running. Many other novels followed and The Old Curiosity Shop brought Dickens international fame and he became a celebrity America as well as Britain. He separated from his wife in 1858. Charles Dickens died on 9 June 1870, leaving his last novel, The Mystery of Edwin Drood, unfinished. He is buried in Westminster Abbey.
Industry Reviews
A more or less self-contained excerpt from the novel, in a creative abridgement done by Dickens for one of his public readings (Anthea Bell's afterword provides notes about these performances and the texts Dickens prepared for them). The fragile pen-and-ink drawings have been flooded with watercolor and given a smudged, atmospheric look. Marks (The Fisherman and His Wife, 1991, etc.) zeroes in on the basic dramatic premise of each scene - wet and dark exteriors, warm and dry interiors, characters engaged in lively conversation or sending each other meaningful looks. Marks's storytelling skills are further demonstrated by the different sizes of the pictures, their distribution, and layout - they evocatively conjure this hearty tale, and will send readers off to the original. (Kirkus Reviews)