| How to Use this book and companion website & who it is for The Evolution of workflow ? | |
| Workflow - what does it really mean? (Dispel the hype & myth) | |
| The components From ideation to publishable form (screen and substrate) | |
| Workflow components to be discussed in this book | |
| Present Tense | |
| Synopsis of the impact of technology and the democratization of technology | |
| Survival of the fittest | |
| Return to the new basics | |
| The Language (of Workflow) | |
| Technical Vocabulary | |
| Words that are often misused and how to decipher that misuse | |
| Genres of imaging | |
| how images are used (the forms they take on) distributed, and consumed | |
| stock images & the issues around this industry Mapping workflows to individual disciplines and genres who does what and when they should do it {photographer, designer, service bureau technician, pre media technician, printer, retoucher} | |
| Risk Management | |
| Assessing what tasks you should take on Evaluating your workflow for longevity (the 5 ? 5- 5 test - impact in 5 minutes, 5 weeks/months and 5 years) | |
| Digital Asset Management - the basics everyone needs to know and apply | |
| DAM has evolved to an individual user?s desktop | |
| The choices to control one?s assets has broadened and is still somewhat unwieldily | |
| This chapter will provide the skeletal frame to setting up a manageable asset system | |
| Topics include: Naming Conventions Devising the Plan Hierarchies | |
| Controlled Vocabularies and Keywords | |
| Archive and back-up | |
| Copyright, usage rights, and imaging ethics | |
| Where to find the most current laws and their interpretations | |
| Protecting your work publishing issues work for hire Aesthetics | |
| The value of an image can be attributed to the vision of its maker and the small village of collaborators that make the vision real | |
| This chapter addresses and repositions the value of the image and returns the vision of the image-maker to its proper stance | |
| Technological hype returns to technological transparency | |
| Digital Aesthetic, Is there one? | |
| Different from analog? | |
| Bringing the aesthetic back to the work and not the technology | |
| The impact of technology on sensibilities and how t has altered our vision | |
| Good design always works | |
| Digital Imaging Workflows | |
| Image process workflows pixel based (rendered) or metadata (un-rendered) database | |
| Basic concepts and standards of digital imaging | |
| Best Practices for each discipline | |
| Things that everyone (regardless of discipline) needs to know | |
| Image acquisition and output ? | |
| The big picture and the choices Digital photography and capture (RAW, JPEG and/or TIFF) | |
| The new digital slr, medium format and large format captures | |
| Scanning When to scan When to use a camera and lens What will happen to this technology as digital capture devices evolve? | |
| Bit depth - 8 bit vs. 16 vs. 32 bit depth | |
| File formats (TIFF, JEPG, PSD, PSB, PDF, EPS, SWF, ?) | |
| Issues & differences, when and why to use Image and file formats permanence issues | |
| Workflow Process Communication issues | |
| The importance of planning, testing and organization | |
| Repurposing the analog side Color Management ? when and where Calibration, profiling, ICC profiles, color spaces (working), input & output profiles, flavors of CMYK | |
| Color Management workflow and how to apply it for multiple outputs Digital image display | |
| Screen and Substrate File preparation for repurposing images to multiple outputs | |
| Versioning for screen to substrate | |
| File Back-up Strategies -working in the field -disaster recovery plans, off-site, on-site, etc? | |
| Image Delivery How to hand off images to the ?next person in line? DVD, FTP, Hard Drive etc ? | |
| What do you give the client? File prep options for specific outputs Strip the metadata? | |
| Table of Contents provided by Publisher. All Rights Reserved. |
