Art from 1900 to Current eTextbooks

The Fellowship

The Untold Story of Frank Lloyd Wright and the Taliesin Fellowship

The Universe of Peter Max

There's a Criminal Touch to Art

How Ulay Stole Hitler's Favorite Painting and Redefined Performance Art

A Cultural History of Computer Graphics

Women in Early Modern Venetian Art

Fluid Identities

Performing Recovery

Addiction, Vulnerability and the Ethics of Representation

Forever for the Culture

Notes from the New Black Digital Arts Renaissance

The Art of Rust

Jack Goldstein

All Day Night Sky

Post-1945 Art Collections and Regional Research Networks

Collaborative Art History

Art, Movement, and Disability

Transcending the Beauty Paradigm

Lives of the Imaginary Artists in Cold War California

The Casual

Downplaying Art Since California Conceptualism

The Art of The Outer Worlds 2

Listening on Display

Exhibiting Sounding Artworks, 1960s to the Present

Listening on Display

Exhibiting Sounding Artworks, 1960s to the Present

Performing Chance

The Art of Alison Knowles In/Out of Fluxus

The Body as Matter in Art and Science

An Autoethnography of Transmattering

There's a Criminal Touch to Art

How Ulay Stole Hitler's Favorite Painting and Redefined Performance Art

The Many Names of Anonymity

Portraitists of the Canton Trade

Pow! Right in the Eye!

Thirty Years behind the Scenes of Modern French Painting

Art History For Dummies, 2nd Edition

Gender, Orientalism and the Jewish Nation

Women in the Work of Ephraim Moses Lilien at the German Fin de Siecle

The Cute

Whitechapel: Documents of Contemporary Art

Value in Art

Manet and the Slave Trade

Craft

An American History

Global Craftivism since the Pussyhats

Handcraft Responses to Violence, War, Illness, and Isolation

The Sinograph in Digital Language Art

A Study of Chinese Characters in New Media Artworks

Virtual Reality As A New Tool in Painting

Painting in the Fourth Dimension

Place-As-Medium and New Grounds for Thinking in Contemporary Art

Routledge Advances in Art and Visual Studies

The Art of S.T.A.L.K.E.R. 2

Heart of Chornobyl

Global Craftivism since the Pussyhats

Handcraft Responses to Violence, War, Illness, and Isolation

Picturing Landscape in an Age of Extraction

Europe and Its Colonial Networks, 1780-1850

The Movers

Israeli Art in the Third Millennium

Antisemitism, Homophobia, and Contemporary Art

Routledge Research in Art and Politics

A Neuroarthistory of The Painters of Modern Life

Embodying Baudelairean Modernity

The Art of Anno 117

Pax Romana

Art History Now

Objects, Concepts, Approaches

Surrealist Landscape in the American West

Routledge Research in Art History

Engaged Humanities

Rethinking Art, Culture, and Public Life

Post-Yugoslav Cinema and the Shadows of War

A Study of Non-Representation in Film

Analysing Popular Music

Image, Sound and Text

A Companion to Modern Art

Blackwell Companions to Art History

A Pedagogy of Observation

Nineteenth-Century Panoramas, German Literature, and Reading Culture

Imprints of Revolution

Visual Representations of Resistance

Islamophobia and Anti-Muslim Sentiment

Picturing the Enemy

Reading Phinehas, Watching Slashers

Horror Theory and Numbers 25

Garcia Lorca at the Edge of Surrealism

The Aesthetics of Anguish

The Great Chinese Art Transfer

How So Much of China's Art Came to America

The Brain-Eye

New Histories of Modern Painting

Painting the Prehistoric Body in Late Nineteenth-Century France

Race in Cyberspace

Death and the Displacement of Beauty

Mapping the Futures

Local Cultures, Global Change

Latin American Modern Architectures

Ambiguous Territories

The Anthropology of Art

A Reader

Where Is My Home?

The Art and Life of the Russian-Jewish Sculptor Mark Antokolskii, 1843-1902

Artistic Bedfellows

Histories, Theories and Conversations in Collaborative Art Practices

Pleasure and the Arts

Enjoying Literature, Painting, and Music

Beauty and Art

1750-2000

Conceiving the City

London, Literature, and Art 1870-1914

Gerard Manley Hopkins and the Victorian Visual World

Henri Michaux

Poetry, Painting and the Universal Sign

Philosophy and Conceptual Art

The Oxford Critical and Cultural History of Modernist Magazines

Volume I: Britain and Ireland 1880-1955

Samuel Taylor Coleridge and the Fine Arts

Everyday Life

Theories and Practices from Surrealism to the Present

German Cities and Bourgeois Modernism, 1890-1924

Christ to Coke

How Image Becomes Icon

Primitivist Modernism

Black Culture and the Origins of Transatlantic Modernism

American Salons

Encounters with European Modernism, 1885-1917

Derridada

Duchamp as Readymade Deconstruction

Continental Crosscurrents

British Criticism and European Art 1810-1910

Strokes of Genius

The Best of Drawing

Hiroshima

The Autobiography of Barefoot Gen

Art for Social Change and Cultural Awakening

An Anthropology of Residence in Taiwan

Women Art Critics in Nineteenth-Century France

Vanishing Acts

Tom and Jack

The Intertwined Lives of Thomas Hart Benton and Jackson Pollock

Reclaiming William Morris

Englishness, Sublimity, and the Rhetoric of Dissent

Beyond Wilderness

The Group of Seven, Canadian Identity, and Contemporary Art

The Avant-Garde in Interwar England

Medieval Modernism and the London Underground

Emotion and the Arts

Reconstructing the Body

Classicism, Modernism, and the First World War

Passport to Peking

A Very British Mission to Mao's China

A Companion to Contemporary Art Since 1945

Art Power

The MIT Press

Celluloid Deities

The Visual Culture of Cinema and Politics in South India

The Life and Times of Moses Jacob Ezekiel

American Sculptor, Arcadian Knight

Historical Dictionary of Contemporary Art

Historical Dictionaries of Literature and the Arts

Exhibitionist

Writing about Art in a Daily Newspaper

Forever Seeing New Beauties

The Forgotten Impressionist Mary Rogers Williams, 1857-1907

The Art of Art History

A Critical Anthology

Modern Art

A Very Short Introduction

Design

A Very Short Introduction

Twentieth-Century American Art

Postmodernism

A Very Short Introduction

Dada and Surrealism

A Very Short Introduction

Modernism

A Very Short Introduction

Glenn Ligon

Untitled (I Am a Man)

Sifting the Trash

A History of Design Criticism

Parallel Presents

The Art of Pierre Huyghe