Opera eTextbooks

Participatory Opera

Power and Agency in Post-Wagnerian Performance

The Republic of Love

Opera and Political Freedom

The Republic of Love

Opera and Political Freedom

Bellini

Composers Across Cultures

Orientalism and the Operatic World

Operas in German: A Dictionary

Volumes 1 and 2

Tempesta

Stormy Music in the Eighteenth Century

French Vocal Literature

Repertoire in Context

So You Want to Sing Light Opera

A Guide for Performers

Experiencing Carl Maria von Weber

A Listener's Companion

The Real Tales of Hoffmann

Origin, History, and Restoration of an Operatic Masterpiece

Inventing the Business of Opera

The Impresario and His World in Seventeenth Century Venice

Inside Bluebeard's Castle

Music and Drama in Bela Bartok's Opera

Rethinking Debussy

The Early Stuart Masque

Dance, Costume, and Music

Lutheranism, Anti-Judaism, and Bach's St. John Passion

With an Annotated Literal Translation of the Libretto

Ancient Drama in Music for the Modern Stage

Living Opera

Finding an Ending

Reflections on Wagner's Ring

A Most Ingenious Paradox

The Art of Gilbert and Sullivan

The Cambridge Companion to The Magic Flute

Cambridge Companions to Music

Music, Books and Theatre in Eighteenth-Century Exton

A Context for Handel's 'Comus'

London Opera Observed 1711-1844

Succeeding Puccini

The Operatic Career of Italo Montemezzi, 1875-1952

Creating Opera Utilising Augmented Reality and Virtual Reality Technologies

Entangled Histories

Opera and Cultural Exchange between Vienna and the Italian States after Napoleon

Liszt, Wagner and the Princess

Routledge Revivals

Music and Sound in European Theatre

Practices, Performances, Perspectives

Music of the Night

Religious Influences and Spiritual Resonances in Operetta and Musical Theatre

Biblical Families in Music

Conflict and Heterodoxy in Oratorios, 1670-1770

Visions of the Village

Ruralness, Identity, and Czech Opera

Il trovatore

Critical Edition Study Score

Rigoletto

Critical Edition Study Score

An Introduction to Tchaikovsky's Operas

Unsettling Opera

Staging Mozart, Verdi, Wagner, and Zemlinsky

William Kentridge

Being Led by the Nose

The Dance and Opera Stage Manager's Toolkit

Protocols, Practical Considerations, and Templates

Monteverdi and his Contemporaries

Variorum Collected Studies

Essays on the Performance of Baroque Music

Opera and Chamber Music in France and England

London Opera Observed 1711-1844, Volume III

1783-1792

London Opera Observed 1711-1844, Volume I

1711-1763

London Opera Observed 1711-1844, Volume V

1821-1844

Vincenzo Bellini on Stage and Screen, 1935-2020

New Approaches to Sound, Music, and Media

New Dramaturgies of Contemporary Opera

The Practitioners' Perspectives

British Opera in America

Children in the Wood, Music by Samuel Arnold, Libretto by Thomas Morton, American Premiere Volume I

Music Glocalization and the Composer

The Case of Franz Xaver Scharwenka (1850-1924)

Women in Nineteenth-Century Czech Musical Culture

Apostles of a Brighter Future

Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments

Trash Music

Vox Eurydice

The Ascent of the Female Rescuer in German-Language Opera

Carmen in Diaspora

Adaptation, Race, and Opera's Most Famous Character

Early Music in the 21st Century

Opera, a History of the Impossible Genre

French Opera 1730-1830

Meaning and Media

The Music of Mzilikazi Khumalo

Language, Culture, and Song in South Africa

English and German Diction for Singers

A Comparative Approach

Tradition, Community, and Nationhood in Richard Wagner's Die Meistersinger von Nurnberg

Rethinking Austrian and German Music

The Marques, the Divas, and the Castrati

Gaspar de Haro y Guzman and Opera in the Early Modern Spanish Orbit

The Choice of Odysseus

Homeric Ethics in Renaissance Epic and Opera

Screening the Operatic Stage

Television and Beyond

Robert Saxton

Caritas

Victorian Vocalists

Who's Who and What's What in Wagner

Paul Bekker's Musical Ethics

Verdi's Exceptional Women

Giuseppina Strepponi and Teresa Stolz

Grand Opera Outside Paris

Opera on the Move in Nineteenth-Century Europe

Handel

Routledge Revivals

Recomposing the Past

Representations of Early Music on Stage and Screen

Benjamin Britten and Montagu Slater's Peter Grimes

The Fourth Wall

Revival: Life of Richard Wagner Vol. IV (1904)

Art and Politics

Revival

Handel (1906)

Revival: Life of Richard Wagner Vol. III (1903)

The Theatre

Revival: Life of Richard Wagner Vol. II (1902)

Opera and Drama

Revival: Life of Richard Wagner, Vol. I (1900)

The Art Work of the Future

The Lively Arts of the London Stage, 1675�1725

Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance

Gilbert and Sullivan

Class and the Savoy Tradition, 1875-1896

Musical Theatre, Realism and Entertainment

Ashgate Interdisciplinary Studies in Opera

Les Miserables and Its Afterlives

Between Page, Stage, and Screen

Gretry's Operas and the French Public

From the Old Regime to the Restoration

Treacherous Bonds and Laughing Fire

Politics and Religion in Wagner's Ring

There's a Place For Us

The Musical Theatre Works of Leonard Bernstein

The Disciplines of Vocal Pedagogy

Towards an Holistic Approach

Opera Remade, 1700�1750

The Ashgate Library of Essays in Opera Studies

Opera From the Greek

Studies in the Poetics of Appropriation

Opera after 1900

The Ashgate Library of Essays in Opera Studies

Harrison Birtwistle

The Mask of Orpheus

National Identity in Contemporary Australian Opera

Myths Reconsidered

The Politics of Verdi's Cantica

Royal Musical Association Monographs

Operatic Migrations

Transforming Works and Crossing Boundaries

French Baroque Opera: A Reader

Revised Edition

Bringing Soprano Arias to Life

Jarmila Novotna

My Life in Song

Opera's Second Death

Verdi's Shakespeare

Men of the Theater

The Cambridge Companion to Wagner

The Cambridge Companion to Twentieth-Century Opera

The Cambridge Companion to Rossini

The Cambridge Companion to Gilbert and Sullivan

Opera

The Cambridge Companion to Eighteenth-Century Opera

The Cambridge Companion to Monteverdi