Light Orchestral & Big Band Music eTextbooks

Dancing Revelations

Alvin Ailey's Embodiment of African American Culture

Weekend Societies

Electronic Dance Music Festivals and Event-Cultures

The Oxford Handbook of Dance and Competition

Oxford Handbooks

How to Land

Finding Ground in an Unstable World

The Oxford Handbook of Shakespeare and Dance

Oxford Handbooks

Risk, Failure, Play

What Dance Reveals about Martial Arts Training

Moving Otherwise

Dance, Violence, and Memory in Buenos Aires

Gestural Imaginaries

Dance and Cultural Theory in the Early Twentieth Century

The Oxford Handbook of Dance and Theater

Oxford Handbooks

The Poets of Tin Pan Alley

A History of America's Great Lyricists

American Popular Music and Its Business

The First Four Hundred Years, Volume III: From 1900-1984

Gestures of Music Theater

The Performativity of Song and Dance

The American Song Book

The Tin Pan Alley Era

When Men Dance

Choreographing Masculinities Across Borders

Spinning Mambo into Salsa

Caribbean Dance in Global Commerce

The Oxford Handbook of Screendance Studies

Oxford Handbooks

Shapes of American Ballet

Teachers and Training before Balanchine

The Naked Result

How Exotic Dance Became Big Business

The Oxford Handbook of Dance and Ethnicity

Oxford Handbooks

Functional Awareness

Anatomy in Action for Dancers

Unworking Choreography

The Notion of the Work in Dance

Ungoverning Dance

Contemporary European Theatre Dance and the Commons

Albion's Dance

British Ballet during the Second World War

Consuming Dance

Choreography and Advertising

Choreomania

Dance and Disorder

Performing Queer Modernism

The Case of the Sexy Jewess

Dance, Gender and Jewish Joke-work in US Pop Culture

Drumming Asian America

Taiko, Performance, and Cultural Politics

Letters of Ralph Vaughan Williams, 1895-1958

Balanchine & the Lost Muse

Revolution & the Making of a Choreographer

The Oxford Handbook of Dance and Reenactment

Oxford Handbooks

Making Ballet American

Modernism Before and Beyond Balanchine

The Oxford Handbook of Dance and Wellbeing

Oxford Handbooks

Big Deal

Bob Fosse and Dance in the American Musical

Valuing Dance

Commodities and Gifts in Motion

Sonidos Negros

On the Blackness of Flamenco

The Philosophy of Rhythm

Aesthetics, Music, Poetics

And Then Came Dance

The Women Who Led Volynsky to Ballet's Magic Kingdom

Do You Remember House?

Chicago's Queer of Color Undergrounds

Jump Up!

Caribbean Carnival Music in New York

Dancing Across Borders

Perspectives on Dance, Young People and Change

Reworking the Ballet

Counter Narratives and Alternative Bodies

Dance Music Manual

Tools, Toys, and Techniques

Focus

Irish Traditional Music

Moving Modernism

The Urge to Abstraction in Painting, Dance, Cinema

Dancefloor-Driven Literature

The Rave Scene in Fiction

Performing Arts in Changing Societies

Opera, Dance, and Theatre in European and Nordic Countries around 1800

Duran Duran's Rio

33 1/3

Nelson Riddle

Music With a Heartbeat

Dance Lexicon in Shakespeare and His Contemporaries

A Corpus Based Approach

Dance-Punk

Genre: A 33 1/3 Series

The Story of Irish Dance

I Feel Love

Donna Summer, Giorgio Moroder, and How They Reinvented Music

Renegades

Digital Dance Cultures from Dubsmash to TikTok

Various Artists' DJs do Guetto

33 1/3 Europe

The Art of Tango

Anarchic Dance

Key Changes

The Ten Times Technology Transformed the Music Industry

Dance Music

A Feminist Account of an Ordinary Culture

Reflections of Dance along the Brahmaputra

Celebrating Dance in North East India

Your Move

ESG's Come Away with ESG

33 1/3

Dancing Black, Dancing White

Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s

The Cambridge Companion to Ballet

Cambridge Companions to Music

Ballet Beyond Tradition

The Beat, the Scene, the Sound

A DJ's Journey through the Rise, Fall, and Rebirth of House Music in New York City

Border Dance

A Study in Contrasts and Conflict and How to Resolve Them

The Cambridge Companion to Tango

Cambridge Companions to Music