Fado Resounding

Affective Politics and Urban Life

By: Lila Ellen Gray

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Paperback | 16 October 2013

At a Glance

Paperback
334 Pages

Dimensions(cm)
22.86 x 15.24 x 1.78

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Fado, Portugal's most celebrated genre of popular music, can be heard in Lisbon clubs, concert halls, tourist sites, and neighborhood bars. Fado sounds traverse the globe, on internationally marketed recordings, as the "soul" of Lisbon. A fadista might sing until her throat hurts, the voice hovering on the break of a sob; in moments of sung beauty listeners sometimes cry. Providing an ethnographic account of Lisbon's fado scene, Lila Ellen Gray draws on research conducted with amateur fado musicians, fadistas, communities of listeners, poets, fans, and cultural brokers during the first decade of the twenty-first century. She demonstrates the power of music to transform history and place into feeling in a rapidly modernizing nation on Europe's periphery, a country no longer a dictatorship or an imperial power. Gray emphasizes the power of the genre to absorb sounds, memories, histories, and styles and transform them into new narratives of meaning and "soul."

Industry Reviews

"Fado Resounding is an impressive and engaging book, one which will expand understanding of fado beyond Portugal. Lila Ellen Gray takes up a wide range of topics, discussing fado in relation to emotion, historical mythologies, gender, and the idea of 'soulfulness,' as well as Lisbon, national identity, and world music. This is a stimulating contribution to the anthropology of expressive cultural forms." - Joao Leal, Universidade Nova de Lisboa "Lila Ellen Gray positions Lisbon's amateur fado scene in terms of all the contestation about what fado is and where the action is taking place. This positioning is a unique and valuable contribution to music ethnography, and Gray does major and convincing intellectual work arguing for 'amateur' scenes as paths into the deepest musical and ethnographic understandings of genre, style, performance, poesis, and the ways that sociality is lived and experienced through sound." - Steven Feld, author of Jazz Cosmopolitanism in Accra: A Memoir of Five Musical Years in Ghana

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