Full Bleed

"This book is dedicated to those that kept skating alive. It is atestament to the perseverance and talents of a rare breed, the ones that kept at it against all odds and paved the way for generations to come." Tony Hawk

FULL BLEED: New York City Skateboard Photographycaptures over 40 years of skateboarding in New York City with seminal work from 90 legendary photographers. The new 10th Anniversay Edition of FULL BLEEDfeatures an extra 96 pages of photography and a new foreword fromskatebording icon Tony Hawk.

Featuring the work of: Spike Jonze, Larry Clark, Willaim Strobeck, Ed Templeton, Atiba Jefferson, Neck Face, Alex Corporan, Kenneth Cappello, Charlie Samuels, Patrick O'Dell, Tobin Yelland, Jessica Bard, Ted Newsome, Zephyr, Ivory Serra and more.

The skaters in FULL BLEED includeKidsstar and late skateboarding hero Harold Hunter,the original Supreme skate team,"the godfather of modern street skateboarding"Mark Gonzales, Jason Dill,the lateDylan Rieder,Kareem Campbell, Keith Hufnagel,Zoo Yorkco-founderRodney Smith,Andy Kessler,Leo Fitzpatrick(Kids, The Wire), Mike VallelyandAlex Corporan. Fromunknown teenage skaters to trailblazers likeJaime Reyesanda double-page spread taken during the filming ofKIDSin Washington Square Park.

FULL BLEED was edited byIvory Serra,Andre RazoandAlex Corporan.

Alex is apro-skateboarder,photographerandnative New Yorker.In the mid-90sAlexmanaged Supreme's first skate shopfor 10 years when it was their only location. Supreme would go on to become atwo billion-dollar streetwear brand. Around the same timeAlex appeared as himself inLarry Clark's1995 cult classic filmKids.Larry would later contribute photos to FULL BLEED. Today Alex is revered as the virtuosic photographer, skateboarder and curator who co-created, then updated the only truly definitive, essential photobook of New York City skateboarding the scene that shook youth culture, fashion, streetwear, film, music and art.

"Captures the beautiful grit of New York City's skateboard culture" GQ

"The photographs take us to hotspots like Brooklyn Banks and introduce the characters who would personify and capture a culture." The New Yorker