Giving Offense : Essays on Censorship - J. M. Coetzee

Giving Offense

Essays on Censorship

By: J. M. Coetzee

Hardcover | 15 April 1996 | Edition Number 1

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Winner of the 2003 Nobel Prize in Literature.

J. M. Coetzee presents a coherent, unorthodox analysis of censorship from the perspective of one who has lived and worked under its shadow. The essays collected here attempt to understand the passion that plays itself out in acts of silencing and censoring. He argues that a destructive dynamic of belligerence and escalation tends to overtake the rivals in any field ruled by censorship.

From Osip Mandelstam commanded to compose an ode in praise of Stalin, to Breyten Breytenbach writing poems under and for the eyes of his prison guards, to Aleksander Solzhenitsyn engaging in a trial of wits with the organs of the Soviet state, Giving Offense focuses on the ways authors have historically responded to censorship. It also analyzes the arguments of Catharine MacKinnon for the suppression of pornography and traces the operations of the old South African censorship system.

"The most impressive feature of Coetzee's essays, besides his ear for language, is his coolheadedness. He can dissect repugnant notions and analyze volatile emotions with enviable poise."-Kenneth Baker, San Francisco Chronicle Book Review

"Those looking for simple, ringing denunciations of censorship's evils will be disappointed. Coetzee explicitly rejects such noble tritenesses. Instead . . . he pursues censorship's deeper, more fickle meanings and unmeanings."-Kirkus Reviews

"These erudite essays form a powerful, bracing criticism of censorship in its many guises."-Publishers Weekly

"Giving Offense gets its incisive message across clearly, even when Coetzee is dealing with such murky theorists as Bakhtin, Lacan, Foucault, and Rene; Girard. Coetzee has a light, wry sense of humor."-Bill Marx, Hungry Mind Review

"An extraordinary collection of essays."-Martha Bayles, New York Times Book Review

"A disturbing and illuminating moral expedition."-Richard Eder, Los Angeles Times Book Review
Industry Reviews
These closely argued essays on censorship's insidious subtleties make for dense but rewarding reading. As a noted South African writer under apartheid, Coetzee (The Master of Petersburg, 1994, etc.) long suffered the stifling shadow of the censor. Indeed, almost half of the essays in this collection concern South Africa's particular brand of censorship and how it was leveled at fellow writers such as Andre Brink and Breyten Breytenbach. Broadening his examination, Coetzee also looks at Solzhenitsyn's struggles with the Soviet state, undercuts Catherine MacKinnon's dogmatic anti-pornography stance, deconstructs D.H. Lawrence's belief in breaking taboos, and closely reads the works of several writers operating under censorship conditions. Those looking for simple, ringing denunciations of censorship's evils will be disappointed. Coetzee explicitly rejects such noble tritenesses. Instead, drawing on the works of modern theorists such as Lacan, Foucault, and Girard, he pursues censorship's deeper, more fickle meanings and unmeanings. In his essay on the South African Publications Appeal Board, for example, he reveals the unreasoning paranoia that governs even the most "enlightened" censorship. In other words, censorship can never be a wholly rational act. Almost every page is thick with such provocative insights and ideas, but Coetzee does not always do his arguments justice. Unlike his lucid, elegant fictions, here he is often unnecessarily opaque and obscure. He has the South African intellectual's fatal fondness for academic jargon (though not the usual accompanying cant), and his logic occasionally short-circuits. But his erudition and intelligence remain truly formidable throughout. And as Coetzee's own experience has shown, censorship ultimately fights a losing battle: "The artist, if he is patient enough and persistent enough, always wins, or at least emerges on the winning side." (Kirkus Reviews)

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