Governing Cultures

Name: Governing Cultures
Brand: Taylor & Francis Ltd
Price: 71.75 AUD
Availability: BackOrder

Art Institutions in Victorian London

By: Colin Trodd, Paul Barlow (Editor)

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Paperback | 29 October 2019 | Edition Number 1

At a Glance

Paperback
226 Pages

Dimensions(cm)
23.4 x 15.2

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This title was first published in 2000. London in the nineteenth century saw the founding of the National Gallery, the National Portrait Gallery, the Victoria and Albert Museum and the Whitechapel Art Gallery. Other, less permanent, organisations flourished, among them the British Institution, water-colour societies and the Society of Female Artists. These worked alongside the schools such as the Royal Academy and the Slade School of Art. In this volume, eleven scholars, experts on the individual institutions, analyse their complex histories to investigate such issues as: How did they generate and redesign their publics? What identities did they create? What practice of art making, connoisseurship and spectatorship did they enshrine? These reports elucidate the values associated with the key institutions and describe the responses and adaptation over time to major cultural developments: new movements, political change and the development of the Empire. The volume as a whole offers a fascinating account of the interconnections between these key institutions. Challenging conventional readings of the subject, the Introduction, by Paul Barlow and Colin Trodd, offers a definition of public art during the Victorian period.

Industry Reviews

'... a must-have for anyone seriously studying or documenting the history of nineteenth-century institutional tastes.' Nineteenth Century Studies 'One of the main assests of Governing Cultures lies in the sheer amount of new information and insight that it yields about important but often hard-to-research or relatively short-lived (even esoteric) institutions... In all cases, the authors do much more than marshal facts; they also offer new and compelling perspectives on how culture was aesthetically absorbed, transformed, and disseminated by Victorian artists, critics, dealers, the public at large. In addition, the extensive bibliography is extremely useful, and the entire book qualifies as a must-have for anyone seriously studying or documenting the history of nineteenth-century institutional tastes.' Susan P. Casteras Nineteenth Century Studies, 2002

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