| The Lover Showeth How He Is Forsaken of Such as He Sometime Enjoyed | p. 1 |
| The Appeal | p. 2 |
| 'One Day I Wrote Her Name upon the Strand' | p. 3 |
| "'As Ye Came from the Holy Land'" | p. 3 |
| Her Reply | p. 5 |
| 'Loving in Truth, and Fain in Verse My Love to Show' | p. 6 |
| His Lady's Cruelty | p. 6 |
| The Bargain | p. 7 |
| Cards and Kisses | p. 7 |
| A Summer Song | p. 8 |
| Diaphenia | p. 8 |
| 'If This Be Love, to Draw a Weary Breath' | p. 9 |
| The Parting | p. 9 |
| The Passionate Shepherd to His Love | p. 10 |
| 'Shall I Compare Thee to a Summer's Day?' | p. 11 |
| 'That Time of Year Thou Mayst in Me Behold' | p. 11 |
| 'From You Have I Been Absent in the Spring' | p. 12 |
| 'When in the Chronicle of Wasted Time' | p. 12 |
| 'Let Me Not to the Marriage of True Minds' | p. 13 |
| 'My Mistress' Eyes Are Nothing Like the Sun' | p. 13 |
| Cherry-Ripe | p. 14 |
| 'Thou Art Not Fair, for All Thy Red and White' | p. 14 |
| Vobiscum est Iope | p. 15 |
| Elizabeth of Bohemia | p. 15 |
| The Sun Rising | p. 16 |
| The Canonization | p. 17 |
| Song | p. 18 |
| The Apparition | p. 19 |
| The Ecstasy | p. 20 |
| The Funeral | p. 22 |
| Elegy: On His Mistress Going to Bed | p. 23 |
| To Celia | p. 24 |
| The Hour Glass | p. 25 |
| Matin Song | p. 25 |
| 'I Loved a Lass, a Fair One' | p. 26 |
| To the Virgins, to Make Much of Time | p. 27 |
| Upon Julia's Clothes | p. 28 |
| Chop-Cherry | p. 28 |
| A Divine Rapture | p. 29 |
| Sonnet | p. 29 |
| Exequy on His Wife | p. 30 |
| Song | p. 33 |
| To His Inconstant Mistress | p. 34 |
| On a Girdle | p. 34 |
| Song | p. 35 |
| On His Deceased Wife | p. 36 |
| 'Why So Pale and Wan, Fond Lover?' | p. 36 |
| The Constant Lover | p. 37 |
| To Lucasta, Going to the Wars | p. 37 |
| To Althea, from Prison | p. 38 |
| The Scrutiny | p. 39 |
| To His Coy Mistress | p. 40 |
| The Definition of Love | p. 41 |
| The Mower to the Glo-Worms | p. 42 |
| 'Farewell, Ungrateful Traitor!' | p. 43 |
| Return | p. 44 |
| A Song of a Young Lady to Her Ancient Lover | p. 44 |
| An Ode | p. 45 |
| 'Pious Selinda Goes to Prayers' | p. 46 |
| 'False though She Be to Me and Love' | p. 46 |
| Sweet William's Farewell to Black-Eyed Susan | p. 47 |
| Sally in Our Alley | p. 48 |
| To Mary | p. 50 |
| 'How Sweet I Roam'd from Field to Field' | p. 52 |
| Love's Secret | p. 52 |
| The Clod and the Pebble | p. 53 |
| The Garden of Love | p. 53 |
| 'Of A' the Airts the Wind Can Blaw' | p. 54 |
| John Anderson My Jo | p. 54 |
| The Banks o' Doon | p. 55 |
| A Red, Red Rose | p. 56 |
| 'Strange Fits of Passion Have I Known' | p. 57 |
| 'She Dwelt among the Untrodden Ways' | p. 58 |
| 'Surprised by Joy--Impatient as the Wind' | p. 58 |
| An Hour with Thee | p. 59 |
| 'Past Ruin'd Ilion Helen Lives' | p. 59 |
| 'Proud Word You Never Spoke, but You Will Speak' | p. 60 |
| Rose Aylmer | p. 60 |
| 'You Smiled, You Spoke, and I Believed' | p. 60 |
| 'The Torch of Love Dispels the Gloom' | p. 61 |
| 'If I Am Proud, You Surely Know' | p. 61 |
| Freedom and Love | p. 61 |
| Did Not | p. 62 |
| An Argument | p. 63 |
| At the Mid Hour of Night | p. 63 |
| 'When We Two Parted' | p. 64 |
| 'She Walks in Beauty, Like the Night' | p. 65 |
| 'So, We'll Go No More A-Roving' | p. 65 |
| Love's Philosophy | p. 66 |
| To | p. 66 |
| First Love | p. 67 |
| To Mary: 'It Is the Evening Hour' | p. 68 |
| To Mary: 'I Sleep with Thee, and Wake with Thee' | p. 68 |
| The Secret | p. 69 |
| I Hid My Love | p. 70 |
| 'Bright Star, Would I Were Stedfast as Thou Art--' | p. 70 |
| Ruth | p. 71 |
| The Wife A-Lost | p. 72 |
| Give All to Love | p. 73 |
| 'I Thought Once How Theocritus Had Sung' | p. 74 |
| 'How Do I Love Thee? Let Me Count the Ways' | p. 75 |
| To Helen | p. 75 |
| To One in Paradise | p. 76 |
| Annabel Lee | p. 77 |
| 'Now Sleeps the Crimson Petal, Now the White' | p. 78 |
| 'Come Not, When I Am Dead' | p. 78 |
| The Last Ride Together | p. 79 |
| Meeting at Night | p. 82 |
| Bad Dreams | p. 82 |
| Love | p. 83 |
| Remembrance | p. 83 |
| 'If Grief for Grief Can Touch Thee' | p. 84 |
| Once I Pass'd through a Populous City | p. 85 |
| When I Heard at the Close of the Day | p. 85 |
| Sometimes with One I Love | p. 86 |
| As if a Phantom Caress'd Me | p. 86 |
| From Pent-Up Aching Rivers | p. 87 |
| Longing | p. 89 |
| Absence | p. 89 |
| The Revelation | p. 90 |
| A Farewell | p. 91 |
| The Azalea | p. 91 |
| Sudden Light | p. 92 |
| Silent Noon | p. 93 |
| Severed Selves | p. 93 |
| Without Her | p. 94 |
| The Orchard-Pit | p. 94 |
| 'By This He Knew She Wept with Waking Eyes' | p. 95 |
| 'In Our Old Shipwrecked Days There Was an Hour' | p. 96 |
| 'We Outgrow Love Like Other Things' | p. 96 |
| 'My Life Closed Twice before Its Close' | p. 96 |
| A Birthday | p. 97 |
| Echo | p. 97 |
| May | p. 98 |
| The First Day | p. 99 |
| Love Is Enough | p. 99 |
| Love and Sleep | p. 100 |
| St. Valentine's Day | p. 100 |
| A Broken Appointment | p. 101 |
| In a Cathedral City | p. 101 |
| A Thunderstorm in Town | p. 102 |
| Renouncement | p. 102 |
| 'Oh, When I Was in Love with You' | p. 103 |
| 'Along the Field as We Came By' | p. 103 |
| 'White in the Moon the Long Road Lies' | p. 104 |
| Down by the Salley Gardens | p. 105 |
| Brown Penny | p. 105 |
| A Drinking Song | p. 106 |
| Never Give All the Heart | p. 106 |
| When You Are Old | p. 106 |
| White Heliotrope | p. 107 |
| Non sum qualis eram bonae sub regno Cynarae | p. 108 |
| Eros Turannos | p. 109 |
| Juliet | p. 110 |
| Meeting and Passing | p. 110 |
| Gloire de Dijon | p. 111 |
| Ezra Pound (1885-1972) | |
| The River-Merchant's Wife: A Letter | p. 112 |
| Like the Touch of Rain | p. 113 |
| Piazza Piece | p. 113 |
| 'I, Being Born a Woman and Distressed' | p. 114 |
| Carrier Letter | p. 114 |
| Alphabetical List of Titles and First Lines | p. 115 |
| Table of Contents provided by Syndetics. All Rights Reserved. |
