The Lover Showeth How He Is Forsaken of Such as He Sometime Enjoyed | p. 1 |
The Appeal | p. 2 |
'One Day I Wrote Her Name upon the Strand' | p. 3 |
"'As Ye Came from the Holy Land'" | p. 3 |
Her Reply | p. 5 |
'Loving in Truth, and Fain in Verse My Love to Show' | p. 6 |
His Lady's Cruelty | p. 6 |
The Bargain | p. 7 |
Cards and Kisses | p. 7 |
A Summer Song | p. 8 |
Diaphenia | p. 8 |
'If This Be Love, to Draw a Weary Breath' | p. 9 |
The Parting | p. 9 |
The Passionate Shepherd to His Love | p. 10 |
'Shall I Compare Thee to a Summer's Day?' | p. 11 |
'That Time of Year Thou Mayst in Me Behold' | p. 11 |
'From You Have I Been Absent in the Spring' | p. 12 |
'When in the Chronicle of Wasted Time' | p. 12 |
'Let Me Not to the Marriage of True Minds' | p. 13 |
'My Mistress' Eyes Are Nothing Like the Sun' | p. 13 |
Cherry-Ripe | p. 14 |
'Thou Art Not Fair, for All Thy Red and White' | p. 14 |
Vobiscum est Iope | p. 15 |
Elizabeth of Bohemia | p. 15 |
The Sun Rising | p. 16 |
The Canonization | p. 17 |
Song | p. 18 |
The Apparition | p. 19 |
The Ecstasy | p. 20 |
The Funeral | p. 22 |
Elegy: On His Mistress Going to Bed | p. 23 |
To Celia | p. 24 |
The Hour Glass | p. 25 |
Matin Song | p. 25 |
'I Loved a Lass, a Fair One' | p. 26 |
To the Virgins, to Make Much of Time | p. 27 |
Upon Julia's Clothes | p. 28 |
Chop-Cherry | p. 28 |
A Divine Rapture | p. 29 |
Sonnet | p. 29 |
Exequy on His Wife | p. 30 |
Song | p. 33 |
To His Inconstant Mistress | p. 34 |
On a Girdle | p. 34 |
Song | p. 35 |
On His Deceased Wife | p. 36 |
'Why So Pale and Wan, Fond Lover?' | p. 36 |
The Constant Lover | p. 37 |
To Lucasta, Going to the Wars | p. 37 |
To Althea, from Prison | p. 38 |
The Scrutiny | p. 39 |
To His Coy Mistress | p. 40 |
The Definition of Love | p. 41 |
The Mower to the Glo-Worms | p. 42 |
'Farewell, Ungrateful Traitor!' | p. 43 |
Return | p. 44 |
A Song of a Young Lady to Her Ancient Lover | p. 44 |
An Ode | p. 45 |
'Pious Selinda Goes to Prayers' | p. 46 |
'False though She Be to Me and Love' | p. 46 |
Sweet William's Farewell to Black-Eyed Susan | p. 47 |
Sally in Our Alley | p. 48 |
To Mary | p. 50 |
'How Sweet I Roam'd from Field to Field' | p. 52 |
Love's Secret | p. 52 |
The Clod and the Pebble | p. 53 |
The Garden of Love | p. 53 |
'Of A' the Airts the Wind Can Blaw' | p. 54 |
John Anderson My Jo | p. 54 |
The Banks o' Doon | p. 55 |
A Red, Red Rose | p. 56 |
'Strange Fits of Passion Have I Known' | p. 57 |
'She Dwelt among the Untrodden Ways' | p. 58 |
'Surprised by Joy--Impatient as the Wind' | p. 58 |
An Hour with Thee | p. 59 |
'Past Ruin'd Ilion Helen Lives' | p. 59 |
'Proud Word You Never Spoke, but You Will Speak' | p. 60 |
Rose Aylmer | p. 60 |
'You Smiled, You Spoke, and I Believed' | p. 60 |
'The Torch of Love Dispels the Gloom' | p. 61 |
'If I Am Proud, You Surely Know' | p. 61 |
Freedom and Love | p. 61 |
Did Not | p. 62 |
An Argument | p. 63 |
At the Mid Hour of Night | p. 63 |
'When We Two Parted' | p. 64 |
'She Walks in Beauty, Like the Night' | p. 65 |
'So, We'll Go No More A-Roving' | p. 65 |
Love's Philosophy | p. 66 |
To | p. 66 |
First Love | p. 67 |
To Mary: 'It Is the Evening Hour' | p. 68 |
To Mary: 'I Sleep with Thee, and Wake with Thee' | p. 68 |
The Secret | p. 69 |
I Hid My Love | p. 70 |
'Bright Star, Would I Were Stedfast as Thou Art--' | p. 70 |
Ruth | p. 71 |
The Wife A-Lost | p. 72 |
Give All to Love | p. 73 |
'I Thought Once How Theocritus Had Sung' | p. 74 |
'How Do I Love Thee? Let Me Count the Ways' | p. 75 |
To Helen | p. 75 |
To One in Paradise | p. 76 |
Annabel Lee | p. 77 |
'Now Sleeps the Crimson Petal, Now the White' | p. 78 |
'Come Not, When I Am Dead' | p. 78 |
The Last Ride Together | p. 79 |
Meeting at Night | p. 82 |
Bad Dreams | p. 82 |
Love | p. 83 |
Remembrance | p. 83 |
'If Grief for Grief Can Touch Thee' | p. 84 |
Once I Pass'd through a Populous City | p. 85 |
When I Heard at the Close of the Day | p. 85 |
Sometimes with One I Love | p. 86 |
As if a Phantom Caress'd Me | p. 86 |
From Pent-Up Aching Rivers | p. 87 |
Longing | p. 89 |
Absence | p. 89 |
The Revelation | p. 90 |
A Farewell | p. 91 |
The Azalea | p. 91 |
Sudden Light | p. 92 |
Silent Noon | p. 93 |
Severed Selves | p. 93 |
Without Her | p. 94 |
The Orchard-Pit | p. 94 |
'By This He Knew She Wept with Waking Eyes' | p. 95 |
'In Our Old Shipwrecked Days There Was an Hour' | p. 96 |
'We Outgrow Love Like Other Things' | p. 96 |
'My Life Closed Twice before Its Close' | p. 96 |
A Birthday | p. 97 |
Echo | p. 97 |
May | p. 98 |
The First Day | p. 99 |
Love Is Enough | p. 99 |
Love and Sleep | p. 100 |
St. Valentine's Day | p. 100 |
A Broken Appointment | p. 101 |
In a Cathedral City | p. 101 |
A Thunderstorm in Town | p. 102 |
Renouncement | p. 102 |
'Oh, When I Was in Love with You' | p. 103 |
'Along the Field as We Came By' | p. 103 |
'White in the Moon the Long Road Lies' | p. 104 |
Down by the Salley Gardens | p. 105 |
Brown Penny | p. 105 |
A Drinking Song | p. 106 |
Never Give All the Heart | p. 106 |
When You Are Old | p. 106 |
White Heliotrope | p. 107 |
Non sum qualis eram bonae sub regno Cynarae | p. 108 |
Eros Turannos | p. 109 |
Juliet | p. 110 |
Meeting and Passing | p. 110 |
Gloire de Dijon | p. 111 |
Ezra Pound (1885-1972) | |
The River-Merchant's Wife: A Letter | p. 112 |
Like the Touch of Rain | p. 113 |
Piazza Piece | p. 113 |
'I, Being Born a Woman and Distressed' | p. 114 |
Carrier Letter | p. 114 |
Alphabetical List of Titles and First Lines | p. 115 |
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