In Infamous Commerce, Laura J. Rosenthal uses literary and historical sources to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex work during this period. From Grub Street's lurid "whore biographies" to the period's most acclaimed novels, the prostitute was depicted as facing a choice between abject poverty and some form of sex work.Prostitution, in Rosenthal's view, confronted the core controversies of eighteenth-century capitalism: luxury, desire, global trade, commodification, social mobility, gender identity, imperialism, self-ownership, alienation, and even the nature of work itself. In the context of extensive research into printed accounts of both male and female prostitution-among them sermons, popular prostitute biographies, satire, pornography, brothel guides, reformist writing, and travel narratives-Rosenthal offers in-depth readings of Samuel Richardson's Clarissa and Pamela and the responses to the latter novel (including Eliza Haywood's Anti-Pamela), Bernard Mandeville's defenses of prostitution, Daniel Defoe's Roxana, Henry Fielding's Tom Jones, and travel journals about the voyages of Captain Cook to the South Seas. Throughout, Rosenthal considers representations of the prostitute's own sexuality (desire, revulsion, etc.) to be key parts of the changing meaning of "the oldest profession."
Industry Reviews
"Rosenthal offers an intriguing account of the changing figure of the prostitute in Restoration and 18th-century British culture. Tracing the transition from 'prostitution as the embrace of pleasure' to 'prostitution as the sacrifice of pleasure to business,' she argues that early in the period prostitutes were represented as 'desiring women,' longing for sexual fulfillment and receiving payment only incidentally, but that over time they came to be depicted as enterprising capitalists who engaged in sex only incidentally, in the process becoming alienated from their labor. The author pursues this thesis through a satisfying mix of texts, some firmly canonical (Clarissa, Tom Jones), some quasi-canonical (Roxana, Fanny Hill), and some obscure (prostitute biographies, South Sea narratives). Rosenthal discovers new points of contact between gender studies and labor history, and along the way touches on industrialization, contractual relations, consumerism, societies for the reformation of manners, Jewish identity, and the history of the novel. Her close readings are sensitive and well informed; the book is also pleasingly readable and therefore accessible even to nonspecialists."
