Volume 1: Edmund KeanWilliam Robson, The Old Playgoer; Crabb Robinson, Reminiscences (1814); Crabb Robinson, Diary (1814-1827); G H Lewes, On Actors and the Art of Acting; Evidence to Select Committee; Dr Francis of New York 'Old New York'; R C Leslie Autobiography; F Reynolds; T C Grattan My Acquaintance with the late Edmund Kean (1833); Life of C M Young; Quarterly Review (1835); Miss Berry's Journal (1813); New Monthly Magazine 1833; Blackwoods Magazine (1840); Life of EllistonI; Michael Kelly, Reminiscences; W C Maxcready Reminiscences; Barry Conrwall; European Magazine (1814); Thos Moore, Life of Byron; Washington Irving, Life & Letter; Gabriel Harrison, Payne; George Vandenhoff, 'LeavesA...'; James H Hackett, New York Mirror (1834); Helena Faucit 'On some ofA...'; Joe Cowell, 'Thirty YearsA...'; 'Review of Edmund Kean as Richard III', The Champion (1814); 'Review of Edmund Kean as Macbeth', The Champion (1814); 'Review of Edmund Kean as Romeo', The Champion (1815); 'Review of Edmund Kean as Iago', The Examiner (1814); 'Review of Edmund Kean as Richard II', The Examiner (1815); 'Review of Edmund Kean as Coriolanus', London Magazine (1820); 'Review of Edmund Kean as King Lear', London Magazine (1820); Leigh Hunt, 'Review of Edmund Kean as Richard III', Tatler (1831); Leigh Hunt, 'Review of Edmund Kean as Othello', Tatler (1831)Volume 2: Sarah Siddons and John Philip KembleJames Boaden, Memoirs of Mrs. Siddons (1827); James Boaden, Memoirs of the Life of John Philip Kemble (1825); James Boaden, Memoirs of Mrs. Inchbald (1833);Thomas Campbell, Life of Mrs. Siddons (1834); John Doran, A"Their Majesties ServantsA" Annals of the English Stage from Thomas Betterton to Edmund Kean (1888); Percy Fitzgerald, The Kembles: An Account of the Lives of the Kemble Family, Including the Lives of Sarah Siddons, and Her Brother John Philip Kemble (1871); John Genest, Some Account of the English Stage (1832); Florence Parsons, The Incomparable Siddons (1909); Thomas Davies, Dramatic Miscellanies: Consisting of Critical Observations on Several Plays of Shakespeare (1785); Thomas Dutton, The Dramatic and Literary Censor (1800-1801); William Hazlitt, Characters of Shakespear's Plays (1817); Extracts form Macbeth; Extracts from The Winters Tale; 'Mrs. Siddons', A View of the English Stage or a Series of Dramatic Criticisms (1818); Extracts from The London Magazine (1820); Extracts from The Examiner (1828); Extracts from The Plain Speaker (1826); Extracts from Memoirs of the Late Thomas Holcroft (1816); 'Mrs. Hill's Lady Macbeth', The Champion (1817); 'Miss O'Neill', The Times (1814); 'Mrs. Siddons as Lady Macbeth', Conversations of James Northcote (1830); Leigh Hunt, 'Mrs Siddons', Critical Essays on the Performers of the London Theatre (1807); Charles Lamb, The Prose Works of Charles Lamb (1835);'To Mrs. Siddons' The Morning Chronicle (1794); Observations on Mrs. Siddons, In the Following Characters: Margaret of Anjou, Belvidera, Jane Shore, Lady Randolph, Isabella, Zara, Euphrasia, and Zara in the Mourning Bride. By a Lady. (1784); Peter Pindar [John Wolcot], Ode Upon Ode; Or A Peep at St. James's; or New-Year's Day; or What You Will (1787); William Russell, The Tragic Muse: A Poem (1783); Funereal Stanzas, inscribed to the revered memory of Mrs. Anne Crawford. With a comparative dissertation between her theatrical merits and those of Mrs. Siddons. (1803); The New Rosciad (1785); The Siddoniad: A Poetical Essay (1785); The Theatrical Portrait, A Poem, On the Celebrated Mrs. Siddons, In the Characters of Calista, Jane Shore, Belvidera, and Isabella (1783); Letters of Sarah and William Siddons to Hester Lynch Piozzi; Sarah Kemble Siddons, The Reminiscences of Sarah Kemble Siddons; Frances Burney, The Diary and Letters of Madame D'Arblay; Catherine Galindo, Mrs. Galindo's Letter to Mrs. Siddons: Being A Circumstantial Detail of Mrs. Siddons's Life for the Last Seven Years; With Several of Her Letters (1809); David Garrick, Selected Letters; The Intimate Letters of Hester Piozzi and Penelope Pennington (1788-1822); E Mangin, Piozziana; Or, Recollections of the Late Mrs. Piozzi, With Remarks (1833); Thraliana The Diary of Mrs. Hester Lynch Thrale (Later Mrs. Piozzi) (1776-1809); Henry Crabb Robinson, Diary, Reminiscences, and Correspondence (1869); Anna Seward, The Letters of Anna Seward: Written Between The Years 1784 and 1807 (1811); Selected reviews from: The Middlesex Journal, The Morning Chronicle, Public Advertiser, Morning Post, Freeman's Journal, Dublin Evening Post, Town and Country Magazine, The Examiner, London Magazine, Westminster Gazette, Bell's Oracle, The TimesVolume 3: Harriet SmithsonMemoir of Miss H C Smithson (1825); Alexandre Dumas, Mes Memoires; E Delecluze Journal; Gazette Musicale (1834); Letters of Countess Granville to the Duke of Devonshire; M Moreau, Souvenirs du Theatre Anglais a Paris; Mrs Baron Wilson, Our Actresses; E P Dutton Cook, Gentleman's Magazine (1879); Jules Janin, Journal des Debats; Reviews of Harriet Smithson in: Bell's Weekly Messenger, Corsaire, Courrier, The Examiner, The Globe, Journal des Debats, Literary Chronicle, London Magazine, New Monthly Magazine, Quotidien, Theatrical Observer, The Times, Weekly Review
