Introduction: The Promise of DVD Technology | p. 1 |
Expanding the Scope of Human Communication | p. 2 |
Learning By Doing | p. 4 |
Entering New Territory | p. 6 |
A Growing Audience | p. 8 |
Steps Involved in Making a DVD | p. 9 |
Getting Equipped: From Camcorders to DVD Duplicators | p. 11 |
Selecting a Computer Platform | p. 11 |
Selecting a Source of Content | p. 16 |
Selecting a Digital Video Camcorder | p. 18 |
Selecting a Duplicator | p. 22 |
Selecting a DVD Recorder | p. 26 |
Renting Equipment for Projects | p. 28 |
Selecting a DLT Drive | p. 29 |
Establishing a Production Studio | p. 30 |
Planning a Project: Making Things Happen | p. 31 |
DVD Production Process | p. 32 |
Developing the Concept | p. 35 |
Planning and Budgeting Tools | p. 39 |
Advancing the Concept | p. 40 |
Capturing Audio and Video: Shooting Successfully on Location | p. 41 |
Controlling Camcorder Movement | p. 42 |
Shooting Video Tests | p. 44 |
Handling the Lighting | p. 45 |
Onsite Considerations | p. 47 |
Monitoring and Capturing Sound | p. 49 |
Handling Assets: Managing Content for a DVD Project | p. 53 |
Basic Premise: Keep It Digital | p. 54 |
Storage Strategies | p. 55 |
Using Project Storage Effectively | p. 56 |
Asset Management Applications | p. 58 |
Capitalizing on Asset Management | p. 60 |
Creating a Story: Using Non-Linear Editing Tools | p. 61 |
The Desktop Production Studio | p. 62 |
Managing the Capture Process | p. 63 |
Timecodes | p. 66 |
Composing the Story | p. 68 |
Editing Example in Vegas 4.0 | p. 69 |
Synergy Between Video Editors and Authoring Tools | p. 76 |
Encoding Video: Performing Quality Compression | p. 77 |
Compression and Codecs | p. 78 |
MPEG-2 File Structure | p. 79 |
Managing Bit Rates | p. 81 |
Multiplexing Audio with MPEG-2 Video | p. 83 |
Guidelines for Achieving Optimal MPEG-2 Encoding | p. 84 |
Summary | p. 86 |
Authoring a DVD Disc: Creating a Title | p. 87 |
DVD Creation with DVD Architect | p. 88 |
DVD Creation with DVD Studio Pro | p. 94 |
Extending the Possibilities | p. 104 |
Case Study: Pushing the Medium | p. 105 |
Origins | p. 106 |
Authoring the DVD | p. 106 |
The Compelling Nature of DV | p. 107 |
CD or DVD? | p. 107 |
Breaking Down Barriers | p. 108 |
Counting on DVD | p. 109 |
Aiming Outside the Mainstream | p. 111 |
Case Study: Making Music on DVD | p. 113 |
Audio Lessons and the Early Years | p. 113 |
Teaching through Video | p. 115 |
Early DVD Experiments | p. 117 |
The Future of Guitar Instruction | p. 120 |
Streamlining DVD Production | p. 122 |
Reviewer's Expectations | p. 124 |
Putting Concerts on Disc | p. 124 |
From VHS to DVD | p. 125 |
DVD Plans for the Future | p. 128 |
Introducing New DVD Titles | p. 130 |
Working with Rainbow Video | p. 131 |
Case Study: Optimal Video Compression | p. 133 |
Compressing a Difficult Stan Brakhage Sequence | p. 134 |
DV As a Source for DVD | p. 134 |
Choosing a Rate for Video Compression | p. 135 |
Recognizing Artifacts | p. 137 |
Getting the Best Video Compression Results | p. 137 |
Software Encoders Versus Hardware Encoders | p. 138 |
Embracing Interactivity | p. 139 |
Inside a Criterion Collection Project | p. 139 |
Origins of the Stan Brakhage Project | p. 144 |
Progressing from Laserdisc to DVD | p. 147 |
Case Study: Supporting Independent Filmmaking | p. 149 |
From High School Student to Moviemaker | p. 150 |
The Commercial Route to Film Making | p. 151 |
Nurturing the Next Generation of Filmmakers | p. 153 |
Approaching DV Cautiously | p. 154 |
Shooting Film and Transferring to DVD | p. 156 |
Becoming a Filmmaker By Making Films | p. 159 |
Boosting Regional Filmmaking | p. 161 |
Case Study: Creating a Workout DVD | p. 163 |
Designing a Progressive Exercise Video | p. 164 |
Starting from a Technical Background | p. 168 |
Stretching a Budget in Many Directions | p. 170 |
The Value of Market Research | p. 173 |
Working as a Product Manager | p. 173 |
Promoting Your Product | p. 175 |
Managing MPEG-2 Assets | p. 175 |
Improving on Good Results | p. 178 |
Case Study: Producing a DVD Magazine | p. 179 |
Overcoming the Jinx of the CD-ROM | p. 180 |
Handling the Video Production | p. 182 |
Selling the Concept | p. 182 |
Using Acrobat to Present Plans | p. 184 |
Spinning Off Segments for Broadcast Use | p. 185 |
Following One's Passion | p. 186 |
Adding Subtitles | p. 187 |
Building a 17th Century Hall Table | p. 187 |
Handling the Camerawork | p. 191 |
DVDs as the Future of Publishing | p. 197 |
Case Study: Creating a High-Caliber DV Short Film | p. 199 |
Filmmaking Roots | p. 200 |
Gaining Experience in DV Techniques | p. 202 |
Overcoming the Bias Against DV | p. 203 |
Making the Movie | p. 205 |
Creative Financing for Independents | p. 210 |
Shooting with a Mini 35 Adapter | p. 211 |
Project and Distribution Costs | p. 213 |
Getting Into the Festival Circuit | p. 214 |
Putting The Chinese Shoes on DVD | p. 216 |
Case Study: Distributing Content on DVD | p. 217 |
Desktop Duplicators in Mainstream Use | p. 218 |
DVD Archiving Possibilities | p. 221 |
Producing The January Series | p. 223 |
More Duplicator Uses | p. 223 |
Producing Inner Compass | p. 225 |
Directing Inner Compass | p. 229 |
Solving Archiving and Distribution Problems | p. 232 |
DVD Fundamentals | p. 233 |
DVD Technology | p. 234 |
DVD Formats: The Five Books | p. 244 |
An Evolving Set of Standards | p. 244 |
DVD-ROM | p. 245 |
DVD-Video | p. 248 |
DVD-Audio | p. 253 |
DVD-R | p. 255 |
DVD-RAM | p. 260 |
Re-Recordable Formats | p. 261 |
Summary | p. 262 |
Distributing DVD Titles | p. 263 |
Reaching Audiences through the World Wide Web | p. 263 |
Targeting Niche Markets | p. 266 |
Film Festivals and Animation Events | p. 267 |
Screening DVD Movies | p. 268 |
Teaming up with a Distributor | p. 269 |
Using the Internet as a Leveler | p. 270 |
Opening a Web Store to Sell DVDs | p. 271 |
Targeted Press Releases | p. 272 |
Bidding on Search Terms | p. 273 |
Summary | p. 274 |
Glossary | p. 275 |
Index | p. 291 |
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