Music & Camp

Acknowledgments
List of Tables & Figures
Christopher Moore & Philip Purvis, Introduction
PART I: THE SACCHARINE & THE SACRED
Chapter 1: Mitchel Morris, On Fairies (and Mothers): Beatrice Lillie Sings
Chapter 2: Lloyd Whitesell, The Uses of Extravagance in the Hollywood Musical
Chapter 3: Stephen Pysnik, Musical Camp: Conrad Salinger and the Performance of Queerness in The Pirate
Chapter 4: Ivan Raykoff, The Camp Sincerity of Christmas Carols
Chapter 5: Christopher Moore, Camping the Sacred: Homosexuality and Religion in the Works of Poulenc and Bernstein
PART II: FLAMING LIPS & FLAMING HIPS
Chapter 6: Freya Jarman, Watch my Lips: The Limits of Camp in Lip-syncing Scenes
Chapter 7: Sam Baltimore, Camping Out: Queer Communities and Public Singalongs
Chapter 8: Francesca T. Royster, "The Booty Don't Lie" and other Camp Truths in the Performances of Janelle Monáe
PART III: GENDER & GENITALS
Chapter 9: Peter Franklin, Strauss as the Pervert? Gendered Subjectivity, Ambiguous Meaning
Chapter 10: Philip Purvis, Poulenc's (Sub)urban Camp: L'Embarquement pour Cythère
Chapter 11: Raymond Knapp, The Straight Bookends to Camp's Gay Golden Age: From Gilbert and Sullivan to Roger Vadim and Mel Brooks
Chapter 12: Lori Burns & Marc Lafrance, The Dark Side of Camp: Making Sense of Violence against Men in Christina Aguilera's "Your Body"
Contributors
Bibliography
Index