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Oliver Jeffers
"Then the boy realised, the penguin wasn't lost, he was just lonely."
Born in Western Australia, raised in Belfast, Northern Ireland and now currently residing in Brooklyn, New York.
Oliver Jeffers makes art.
From figurative painting and installation to illustration and picture-book making, his work has been exhibited in New York, Dublin, London, Sydney, Washington DC, Belfast and elsewhere.
A co-founder of the art collective OAR, their exhibitions include 9 days in Belfast, book and the award winning BUILDING. Illustration clients include Orange UK, Lavazza, Sony PSP, RCA Records, Starbucks, Candy, the Vacuum and Her Royal Majesty the Queen of England. HarperCollins UK and Penguin USA publish his picture books, including the award-winning Lost and Found and The Incredible Book Eating Boy.
There has always been a strong undercurrent of narrative behind Jeffers's work, but his current interest in making art lies in the anomaly between logical and emotional thinking.
While striving to find a harmonious balance between form and content, Jeffers is curious about the opposing means by which the world he lives in can be assessed. To explore this he has been drawing parallels between the arts and sciences, as in his recent solo show, Additional Information (exhibited December 2006, in Hill St Belfast), in which figurative oil paintings were over laid with mathematical equations.
Oliver Jeffers makes art.
From figurative painting and installation to illustration and picture-book making, his work has been exhibited in New York, Dublin, London, Sydney, Washington DC, Belfast and elsewhere.
A co-founder of the art collective OAR, their exhibitions include 9 days in Belfast, book and the award winning BUILDING. Illustration clients include Orange UK, Lavazza, Sony PSP, RCA Records, Starbucks, Candy, the Vacuum and Her Royal Majesty the Queen of England. HarperCollins UK and Penguin USA publish his picture books, including the award-winning Lost and Found and The Incredible Book Eating Boy.
There has always been a strong undercurrent of narrative behind Jeffers's work, but his current interest in making art lies in the anomaly between logical and emotional thinking.
While striving to find a harmonious balance between form and content, Jeffers is curious about the opposing means by which the world he lives in can be assessed. To explore this he has been drawing parallels between the arts and sciences, as in his recent solo show, Additional Information (exhibited December 2006, in Hill St Belfast), in which figurative oil paintings were over laid with mathematical equations.