Outlaw Representation

"Smartly written, intensively researched and vigilantly argued . . . Whether analyzing a painting or the words of a political speech, Meyer comes across as a cool but engaged observer. Most important, he's a good storyteller and he has fascinating stories to tell." -Holland Cotter, The New York Times

"This genuinely groundbreaking book charts the unexpectedly productive as well as restrictive effects of queers' multiple encounters with censorship over the course of the last century. Beautifully written and illustrated, Meyer's study combines significant historical research and reflection with richly insightful interpretations of queer art to illuminate the history of twentieth-century American art and culture as a whole as well as the distinctive and little-known history of gay artists." -George Chauncey, author of Gay New York: Gender, Urban Culture, and the Making of the Gay Made World, 1890-1940

"This terrifically smart and intellectually savvy book should be required bedside reading for every public official boorish enough to wage war on the resourceful and imaginative world of contemporary American art." -Diana Fuss, author of Inside/Out: Lesbian Theories, Gay Theories

"Richard Meyer crafts a brilliant and persuasive argument about the interdependence of representations of homosexuality and acts of censorship...To my mind, the book sets a new standard for contemporary art-historical scholarship." -Cecile Whiting, author of A Taste for Pop: Pop Art Gender, and Consumer Culture

"Meyer deftly combines a close reading of individual works and intelligent social and political synthesis." -Linda Nochlin, "Best of 2002:Books," Artforum