Paul Klee, Poet/Painter

Winner of the Southeastern College Art Conference's 2010 Award for Excellence in Scholarly Research and Publication< * . *
This book is welcome for its focus on the two main strands of Klee's career.... The five main chapters cover Klee's recognition of himself as poet; the poetic and the pictorial; the idea of landscape; harmonising architectonic and poetic painting; poems in pictorial script; and concluding thoughts on Klee's relationship with concrete poetry, and on what counts as poetry. * FORUM FOR MODERN LANGUAGE STUDIES *
[O]bservant, nuanced, thought-provoking ways of seeing the pictures she treats...[I]t is clear that Aichele addresses a central aspect of Klee's oeuvre. Her book will be read with considerable interest by Klee specialists as well as by scholars interested in German modernist culture more generally. * GERMAN STUDIES REVIEW *
[Aichele] helps clarify the way many of [Klee's] visual works compare to language systems in which elements express meaning within the context of the whole. * GERMAN QUARTERLY *
What does it mean to adapt poetic language to the pictorial medium? Where does one find poetry in a painting? How does this interdisciplinary mystery unlock key issues of modernism.. Aichele addresses these fascinating questions by calling on the poetic/painterly/theoretical oeuvre of Swiss painter Paul Klee.. With this new volume, Aichele has made an invaluable contribution to Klee scholarship in semiotics, one that informs our ongoing dialogue with the questions of 20th Century modernism, writ large. * GERMAN QUARTERLY *
In looking at [Klee's] poems and the way poetry in general entered his painting, Paul Klee: Poet/Painter treats Klee as paradigmatic of modernism. Although Porter Aichele does not discuss Futurism, and largely works inwards towards Klee rather than outwards to modernity as a whole (except for a chapter on concrete poetry), her work deserves to be read by anyone interested in the making of modern art. * TLS *