Picturing Frederick DouglassIndeed, Frederick Douglass was in love with photography. During the four years of Civil War, he wrote more extensively on the subject than any other American, even while recognizing that his audiences were "riveted" by the war and wanted a speech only on "this mighty struggle." He frequented photographers' studios regularly and sat for his portrait whenever he could. To Douglass, photography was the great "democratic art" that would finally assert black humanity in place of the slave "thing" and at the same time counter the blackface minstrelsy caricatures that had come to define the public perception of what it meant to be black. As a result, his legacy is inseparable from his portrait gallery, which contains 160 separate photographs.At last, all of these photographs have been collected into a single volume, giving us an incomparable visual biography of a man whose prophetic vision and creative genius knew no bounds. Chronologically arranged and generously captioned, from the first picture taken in around 1841 to the last in 1895, each of the images-many published here for the first time-emphasizes Douglass's evolution as a man, artist, and leader. Also included are other representations of Douglass during his lifetime and after-such as paintings, statues, and satirical cartoons-as well as Douglass's own writings on visual aesthetics, which have never before been transcribed from his own handwritten drafts.The comprehensive introduction by the authors, along with headnotes for each section, an essay by Henry Louis Gates, Jr., and an afterword by Kenneth B. Morris, Jr.-a direct Douglass descendent-provide the definitive examination of Douglass's intellectual, philosophical, and political relationships to aesthetics. Taken together, this landmark work canonizes Frederick Douglass through a form he appreciated the most: photography.Featuring:Contributions from Henry Louis Gates, Jr., and Kenneth B. Morris, Jr. (a direct Douglass descendent)160 separate photographs of Douglass-many of which have never been publicly seen and were long lost to historyA collection of contemporaneous artwork that shows how powerful Douglass's photographic legacy remains today, over a century after his deathAll Douglass's previously unpublished writings and speeches on visual aesthetics
Industry Reviews
"With 160 photographs, many never before seen, this book provides a strong visual history of Douglass and his era. Douglass believed that photography had extraordinary social power, and the inclusion of previously unpublished writings and speeches on visual aesthetics show him to be an important theorist of the new art form." -- Barbara Hoffert - Library Journal "Picturing Frederick Douglass marries all of my present interests: legacies of slavery; beautiful images of a beautiful man; and the first theory of photography as a democratic medium capable of social change. Stunningly original and elegantly written and designed, it will inspire anyone interested in the links between the visual and the verbal." -- Sally Mann, author of Hold Still: A Memoir with Photographs "Douglass emerges here out of photographic technology"s earliest years, with majestic beauty, and through the power of his own self-creations. The book is the result of intrepid research and brilliant analysis; it charts Douglass"s life visually, allowing him to look back at us wryly, wistfully, wrathfully." -- David W. Blight, Yale University, and author of the forthcoming Frederick Douglass: A Life "In Picturing Frederick Douglass, Stauffer, Trodd, and Bernier offer exhilarating scholarship and our idea of Douglass and our sense of photography in nineteenth-century America are deepened. This is brilliant and very moving work." -- Darryl Pinckney, author of High Cotton, Out There and Black Balled: The Black Vote and U.S. Democracy "Picturing Frederick Douglass marks a significant turn in the long history of Douglass's reception. Both as a subject for photography and as a critical theorist who reflected on the democratic, humane, and truth-telling powers of the medium, Douglass emerges in this beautiful volume in a completely new light." -- W. J. T. Mitchell, author of Seeing Through Race "Nothing less than a masterpiece in the fields of biography, African-American history, and not least of all the neglected area of iconography...A riveting instant classic and a pure pleasure to behold." -- Harold Holzer, winner of the Lincoln Prize and author of Lincoln and the Power of the Press: The War for Public Opinion "Picturing Frederick Douglass is to be shared, studied, read and repeated every six months, not only in the classroom but in our living rooms...Beautifully researched and storied...A true treasure!" -- Deborah Willis, author of Reflections in Black and the acclaimed documentary, Through a Lens Darkly
