Picturing the 'Pregnant' Magdalene in Northern Art, 1430-1550

'This enlightening, thought-provoking study by Jolly (Skidmore College) focuses on depictions of Mary Magdalene in Northern Renaissance art ... The contributions of this book will have significant implications in many fields ... Highly recommended. Lower-division undergraduates through researchers/faculty.' Choice 'Penny Howell Jolly brilliantly expands on recent research on the history of dress, performance, and sexuality, to explore how ideas associated with the female body of Mary Magdalen, such as its permeability and instability, were expressed visually through a series of symbolic signs and acts that offer her process of transformation from sinner to saint as a model that could be emulated by ordinary Christians. With a sharp eye and a thorough understanding of the rich and complex cult of the Magdalen, Jolly analyzes visual imagery to successfully explain the broad appeal of the Magdalen, a prostitute who became a saint.' Diane Wolfthal, Rice University '... a convincing argument that the visual symbolism of Mary Magdalene's spiritual pregnancy is a consistent and evolving feature of Northern Renaissance art. One of Jolly's great strengths throughout this work is her ability to comprehend and explain the complexity of signification within art history, and its capacity to subtly change meaning over time ... Jolly uses a formidable range of resources in the endeavour to support her claims, drawing upon the literature and drama of the Northern Renaissance as well as its art, thereby demonstrating the interconnections between these different mediums in terms of the complex significations of the body of Mary Magdalene.' Journal of the Northern Renaissance 'One of the many strengths of this publication is that Jolly focuses on roles for the Magdalene yet to be explored. Her novel approach offers a deeper understanding of Magdalene images ...' Historians of Netherlandish Art Review of Books 'This book makes a serious art historical contribution to theological and gender questions around northern religious painting...' Sixteenth Century Journal