List of Illustrations | |
Acknowledgments | |
Introduction: Steven Henry Madoff, Wham! Blam! How Pop Art Stormed the High-Art Citadel and What the Critics Said | |
Pre-Pop: American Precursors, English Currents | |
from "Larry Rivers: 'Why I Paint as I Do'" | p. 1 |
"But Today We Collect Ads" | p. 3 |
"Letter to Peter and Alison Smithson" | p. 5 |
"The Arts and the Mass Media" | p. 7 |
"Mixed Mediums for a Soft Revolution" | p. 10 |
"Jasper Johns" | p. 11 |
from "After Abstract Expressionism" | p. 13 |
"Pop Art and After" | p. 14 |
from "Robert Rauschenberg" | p. 19 |
The Phenomenon of Pop: General Essays and Local Reviews, 1962-1970 | |
from "Month in Review: New York Exhibitions" | p. 25 |
"'Pop' Culture, Metaphysical Disgust, and the New Vulgarians" | p. 29 |
from "Los Angeles Letter" | p. 33 |
"The New American 'Sign Painters'" | p. 34 |
"On the Theme of the Exhibition" | p. 39 |
"Art: Avant-Garde Revolt" | p. 41 |
"The New Painting of Common Objects" | p. 43 |
"Kitch into 'Art': The New Realism" | p. 47 |
"Dada, Then and Now" | p. 57 |
"A Symposium on Pop Art" | p. 65 |
"Pop Art at the Guggenheim" | p. 82 |
"The Flaccid Art" | p. 85 |
"Anti-Sensibility Painting" | p. 88 |
"The New Art" | p. 90 |
"Pop Art, USA" | p. 97 |
from "Pop and Public" | p. 100 |
"What Is Pop Art? Part I" | p. 103 |
"What Is Pop Art? Part II" | p. 112 |
"Pop Art Sells On and On - Why?" | p. 118 |
"The Bienuale: How Evil is Pop Art?" | p. 124 |
"Dissimulated Pop" | p. 126 |
"Pop Art Exhibited, and It's Crazy, Dad" | p. 130 |
"Pop Art and Non-Pop Art" | p. 131 |
"Further Observations on the Pop Phenomenon" | p. 135 |
"Oldenburg, Lichtenstein, Warhol: A Discussion" | p. 140 |
"Special Report: The Story of Pop" | p. 148 |
"Dada, Camp, and the Mode Called Pop" | p. 154 |
"London Court Fines a Gallery for 'Indecent' Pop-Art Display" | p. 162 |
"Present-Day Styles and Ready-Made Criticism" | p. 163 |
"Popular Culture and Pop Art" | p. 167 |
"Pop Reappraised" | p. 175 |
"The Art World: Marilyn Mondrian" | p. 180 |
Focus: The Major Artists | |
"Everything Clear Now?" | p. 187 |
"In the Galleries: Roy Lichtenstein" | p. 188 |
"Roy Lichtenstein and the Realist Revolt" | p. 189 |
"Roy Lichtenstein, Ferus Gallery" | p. 194 |
"Is He the Worst Artist in the U.S.?" | p. 195 |
"Pop Artist Switches to Aggressive Neutral Banality" | p. 197 |
"Talking with Roy Lichtenstein" | p. 198 |
"Roy Lichtenstein and the Comic Strip" | p. 203 |
"Roy Lichtenstein | p. 207 |
"Statement" | p. 213 |
"New York Letter" | p. 216 |
"Off Off-Broadway; 'Happenings' at Ray Gun Mfg. Co." | p. 217 |
"The Living Object" | p. 219 |
from "Marcel Duchamp and Common Object Art" | p. 223 |
"In the Galleries: Claes Oldenburg" | p. 225 |
"Object-Making" | p. 226 |
"Claes Oldenburg's Soft Machines" | p. 228 |
from "Claes Oldenburg" | p. 235 |
"Reviews and Previews: New Names This Month: James Rosenquist | p. 241 |
essay from exhibition catalogue, James Rosenquist | p. 242 |
"Los Angeles: James Rosenquist" | p. 244 |
"James Rosenquist: Aspects of a Multiple Art" | p. 245 |
"The Man in the Paper Suit" | p. 251 |
"A New Hangar for Rosenquist's Jet-Pop 'F-111'" | p. 253 |
"Re the F-111: A Collector's Notes" | p. 255 |
"Rosenquist at the Met: Avant-Garde or Red Guard?" | p. 258 |
"Art" | p. 263 |
"Andy Warhol, Ferus Gallery" | p. 266 |
"New York Letter" | p. 267 |
"In the Galleries: Andy Warhol" | p. 268 |
"The Artworld" | p. 269 |
"Saint Andrew" | p. 278 |
"Reviews and Previews: New Names this Month: Andy Warhol" | p. 281 |
"Superpop or a Night at the Factory" | p. 282 |
"Warhol: The Silver Tenement" | p. 287 |
"Prince of Boredom: The Repetitions and Passivities of Andy Warhol" | p. 291 |
"Early Warhol: The Systematic Evolution of the Impersonal Style" | p. 294 |
From Center to Periphery: Other Figures | |
"In the Galleries: Allan D'Arcangelo" | p. 302 |
"Highways and By-ways" | p. 302 |
"Jim Dine and the Psychology of the New Art" | p. 305 |
"New York: Jim Dine" | p. 312 |
"Oyvind Fahlstrom: Models of Shattered Reality" | p. 314 |
"The Horizons of Robert Indiana" | p. 318 |
foreword from exhibition catalogue, Robert Indiana | p. 322 |
"In the Galleries: Mel Ramos" | p. 324 |
"The Art of Mel Ramos" | p. 324 |
"Edward Ruscha, Ferus Gallery" | p. 328 |
"Concerning 'Various Small Fires': Edward Ruscha Discusses His Perplexing Publications" | p. 329 |
"Segal's Vital Mummies" | p. 331 |
"Plaster Caste" | p. 335 |
"Reviews and Previews: New Names this Month: Peter Saul" | p. 337 |
essay from exhibition catalogue, Peter Saul | p. 338 |
"Reviews and Previews: New Names this Month: Wayne Thiebaud" | p. 341 |
"Thiebaud: Eros in Cafeteria" | p. 342 |
"In the Galleries: John Wesley" | p. 345 |
"'Pop' Show by Tom Wesselmann Is Revisited" | p. 347 |
"Tom Wesselmann and the Gates of Horn" | p. 349 |
Revising Pop: Later Critical Reflections | |
"American Painting during the Cold War" | p. 354 |
"That Old Thing, Art ..." | p. 370 |
"The Rise of Andy Warhol" | p. 375 |
from "The Independent Group: British and American Pop Art, a 'Palimpcestuous' Legacy" | p. 385 |
from "Pop Triumphant: A New Realism" | p. 397 |
Chronology: An Exhibitions Chronicle: 1958-1970 | p. 405 |
Index | |
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