List of illustrations | p. xi |
General editors' preface | p. xiv |
Preface | p. xix |
Introduction | p. 1 |
The challenges of Hamlet | p. 1 |
The challenge of acting Hamlet | p. 2 |
The challenge of editing Hamlet | p. 8 |
The challenge to the greatness of Hamlet: Hamlet versus Lear | p. 13 |
Hamlet in our time | p. 17 |
The soliloquies and the modernity of Hamlet | p. 18 |
Hamlet and Freud | p. 26 |
Reading against the Hamlet tradition | p. 32 |
Hamlet in Shakespeare's time | p. 36 |
Hamlet at the turn of the century | p. 36 |
The challenge of dating Hamlet | p. 43 |
Was there an earlier Hamlet play? | p. 44 |
Are there any early references to Shakespeare's play? | p. 47 |
Can me date Hamlet in relation to other contemporary plays? | p. 49 |
Hamlet's first performances | p. 53 |
The story of Hamlet | p. 59 |
Murder most foul | p. 59 |
An antic disposition | p. 64 |
'Sentences', speeches and thoughts | p. 70 |
The composition of Hamlet | p. 74 |
The quartos and the Folio | p. 74 |
The quartos | p. 74 |
The First Folio | p. 78 |
The relationship of Q2 to Q1 | p. 80 |
The relationship of F to Q2 | p. 82 |
What, then, of Q1? | p. 85 |
Editorial practice | p. 87 |
Why a three-text edition? | p. 91 |
Hamlet on stage and screen | p. 95 |
Hamlet and his points | p. 95 |
Enter the director | p. 109 |
Hamlet and politics | p. 115 |
Novel Hamlets | p. 122 |
Hamlet meets Fielding, Goethe, Dickens and others | p. 122 |
Hamlet and women novelists | p. 126 |
Prequels and sequels | p. 131 |
The continuing mystery of Hamlet | p. 132 |
The Tragical History of Hamlet, Prince of Denmark The Second Quarto (1604-5) | p. 139 |
Appendices | |
Folio-only passages | p. 465 |
The nature of the texts | p. 474 |
The early printed texts | p. 474 |
The early quartos | p. 474 |
The First Folio | p. 482 |
The quartos and folios after 1623 | p. 485 |
Modern editors at work | p. 486 |
The written text | p. 487 |
The performed text | p. 493 |
The printed text | p. 494 |
The multiple text | p. 496 |
A common position? | p. 500 |
Our procedure as editors of Hamlet | p. 506 |
Determining transmission | p. 506 |
Editorial principles | p. 509 |
Lineation and punctuation | p. 518 |
Textual tables | p. 523 |
Editorial conventions and sample passages | p. 533 |
Conventions | p. 533 |
Proper names | p. 533 |
Act and scene numbers | p. 533 |
Commentary | p. 533 |
Textual notes | p. 534 |
Sample passages | p. 536 |
The act division at 3.4/4.1 | p. 543 |
The editorial tradition | p. 543 |
The theatrical tradition | p. 548 |
Our decisions for the new Arden Hamlet | p. 551 |
Casting | p. 553 |
Music | p. 566 |
Abbreviations and references | p. 569 |
Abbreviations used in notes | p. 569 |
Works by and partly by Shakespeare | p. 569 |
Editions of Shakespeare collated | p. 571 |
Other works cited | p. 576 |
Index | p. 599 |
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