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The Lost Battles : Leonardo, Michelangelo and the Artistic Duel That Defined the Renaissance - Jonathan Jones

The Lost Battles

Leonardo, Michelangelo and the Artistic Duel That Defined the Renaissance

By: Jonathan Jones

Paperback | 31 March 2011

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Michelangelo Buonarroti and Leonardo da Vinci lived five centuries ago, but their works still obsess our culture, with a popular and universal quality that nothing else matches.

They have been equally revered and famous since their lifetimes, but our admiration for them exists mostly in isolation of each other. But in 1504 they competed with each other directly, to paint the walls of a room in what is now Florence's Palazzo Vecchio.

It is remarkable enough that the same city had produced two such geniuses in the same century - let alone that they met and exhibited together. But this competition, perhaps the most important event in the history of Renaissance art, the moment at which individual style came to command its own value, has been largely forgotten because the rival works did not survive.

This great artistic clash, Jonathan Jones argues in this riveting account, marks the true beginning of the High Renaissance. Re-creating sixteenth-century Florence with astonishing verve and aplomb, The Lost Battles not only sheds new light on the making of the modern world but, in its portrait of two cultural titans going toe to toe, rewires our understanding of the personalities of the Renaissance's greatest icons.

About the Author

Jonathan Jones is the art critic of the Guardian. He appears in the TV series Private Life of a Masterpiece and gives talks at the Tate and other galleries. In 2009 he was a judge for the Turner Prize. Jonathan lives in London with his wife and daughter.
Industry Reviews
'Eloquent and compelling.' Mail on Sunday

'A riveting account of a Renaissance rivalry.' Telegraph

'A story of rivalry, political intrigue and conspiracy... Beautifully produced.' Mary Hoffman, Guardian

'An engaging story... Reveals the insults, egos and formal competitions that separated these two giants of the 16th century art world.' Artists and Illustrators Magazine

'The Lost Battles is full of colouful incident and detail, both historical and artistic.' RA Magazine

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