Falling In - Frances O'Roark Dowell

Falling In

By: Frances O'Roark Dowell

Hardcover | 2 March 2010

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B z z z z z z z

The buzzing sound?

Do you hear that?

There it is again.

B z z z z z z z

No? Well, I really shouldn't have asked. Most people can't hear it, anyway. But, if you could, you'd think it sounds like you're teetering on the edge of the universe. That's what Isabelle Bean thinks...and she's not that far from the truth.

B z z z z z z z

You really don't hear that?

Well, it's actually not that great to have a buzzing in your ear. It's distracting for one thing. And when Isabelle starts listening to the buzz instead of, say, her boring teacher, strange things happen. She gets sent to the principal's office (that's not so strange), but then while awaiting her punishment, she tumbles into an adventure-into another world that's a little bit different, a little bit Hansel & Gretel-y, a little bit like a fairy tale, which would be great, but...did I mention that Isabelle is an unusual dresser? When she shows up in fairy-tale land wearing her favorite high, pointy boots, the fairy-tale people start thinking that Isabelle is a witch -- and not just any witch, but the witch!

From Edgar Award-winning author Frances O'Roark Dowell comes the unlikely story of Isabelle Bean-an ultimate misfit, an outsider extraordinaire, and not a witch!
Industry Reviews
Dowell’s (Shooting the Moon) first fantasy novel features sixth-grader Isabelle Bean, an unconventional protagonist who prefers thrift stores to malls and demonstrates an “impressive talent for irritating teachers.” Isabelle’s adventure begins in the school nurse’s office, where she discovers an entrance into another world and meets a group of children fleeing from a witch. As fate would have it, the “witch”—mistreated and misunderstood by villagers—turns out to be Isabelle’s biological grandmother. Much of the novel focuses on the healing powers and sad history of Isabelle’s grandmother and Isabelle’s effort to set the record straight. Readers may be amused by the narrator’s digressions, backtracking, direct addresses (“You want me to tell you where Isabelle is, don’t you? You want me to spell it out for you, draw you a map, paint a picture. Well, I’m not going to do it”), and impish tone, though it can feel a bit forced. Perhaps too many facts are left to the imagination: how Isabelle has changed and what she has gained from her experiences remain questionable at the end of the book. Ages 8–12.

Publishers Weekly (Mar.)

Other Editions and Formats

Paperback

Published: 17th April 2012

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