Everyone Rides the Bus in a City of Losers : Poems - Jason Freure

Everyone Rides the Bus in a City of Losers

Poems

By: Jason Freure

Paperback | 25 September 2018

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In the words of Margaret Thatcher, "A man who, beyond the age of 26, finds himself on a bus can count himself as a failure." Everyone Rides the Bus in a City of Losers is about wandering Montreal's streets, with an eye on the storefronts and alley cats, and one foot already in the nearest dive bar. From a series of poems about every station on the Metro to music venues long shut down, it's sometimes fantastical, nostalgic, funny, and even joyful - a sucker for landmarks, always looking out for glimpses of the Farine Five Roses sign, the Jacques Cartier Bridge, the cross on Mont-Royal, and anything still neon.Montreal's rich literary tradition is celebrated: A.M. Klein, Leonard Cohen, Heather O'Neill, Gail Scott, Richard Suicide, and Gaston Miron all make their way into the poems. The book also ventures from the hip hot spots of The Plateau and Mile End to Verdun, Cote-des-Neiges, NDG, St-Henri, Petite-Patrie, and Ahuntsic. A restless spirit propels the text further and further into new neighborhoods, but always returns downtown.This is a book about those who've seen the city turn its back on them and leave them out in the cold. Who get lost in boroughs east and west. Who get lonely, garble their French, and never manage to find a seat at their favorite coffee shop. In Jason Freure's psychogeography, everyone's a flaneur. And everyone rides the bus. Push to book trade publications (Publishers Weekly, Library Journal, Kirkus, Booklist, Quill & Quire).Pitch author for literary festivals and reading series.Pitch reviews at major dailies (Globe and Mail, Toronto Star, National Post). Pitch to Montreal publications (Maisonneuve, Gazette, Cult MTL).Pitch to literary journals (The Malahat Review, Literary Review of Canada, Canadian Notes & Queries, The New Quarterly, Geist).
Industry Reviews
“A nostalgic, irreverent debut collection arranged according to the city’s metro. Simultaneously flaneur and commuter (“a young man with a notebook”), Freure brings fragments of time and place together in a profound record of lived experience.” — Publishers Weekly

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