Remembering Popular Music's Past

List of Figures; Acknowledgements;

1. The Precarity of Memory, Heritage and History in Remembering Popular Music’s Past, Lauren Istvandity and Zelmarie Cantillon; MEMORY;

2. Consuming Popular Music Heritage, Paul Long;

3. ‘Back in the Day’: Experiencing and Retelling the Past as a Claim to Belong in the Current Northern Soul Scene, Sarah Raine;

4. Resilience and Change: Popular Folk Songs in a Cultural Landscape, Ashton Sinamai and John Schofield;

5. Remembering the Independent Record Shop: The Ordinary Affects of Leedin Records, Adele Pavlidis;

6. ‘Mean Streets’ as Heritage Object: Music, Nostalgia and the Museumification of Martin Scorsese, Amanda Howell; HERITAGE;

7. Mark II: Re-working the Heritage B(r)and, Shane Homan;

8. The Continually Precarious State of the Musical Object, Charles Fairchild;

9. Showing Off: Taking Popular Music Research into the Museum, Peter Doyle;

10. Preserving Icelandic Popular Music Heritage: Issues of Collection, Access and Representation, Zelmarie Cantillon, Bob Buttigieg and Sarah Baker;

11. Questioning the Future of Popular Music Heritage in the Age of Platform Capitalism, Raphaël Nowak; HISTORY;

12. Jim Jarmusch’s ‘Mystery Train’ (1989): Representing the Memphis Music Legacy on Film, Adriano Tedde and David Baker;

13. Phenomenology of the Surf Ballroom’s Winter Dance Party: Affect and Community at a Popular Music Heritage Tourism Event, Sheryl Davis, Sherry Davis and Zelmarie Cantillon;

14. Disappearing History: Two Case Studies on the Precarity of Music Writing, Ian Rogers;

15. Great Albums, Greedy Collectors and Gritty Sounds? A View from ‘Snobbish Connoisseurs’ on the Canonization and Archivalism of Korean Pop-Rock, Hyunjoon Shin and Keewoong Lee;

16. Towards a Feminist History of Popular Music: Re-examining Writing on Musicians and Domestic Violence in the Wake of #metoo, Catherine Strong;

List of Contributors; Index.