Resistance and Support: Contact Improvisation @ 50 is a ground-breaking anthology that collects twenty original writings that elucidate critically important somatic and political perspectives on Contact Improvisation (CI). This form of partner dancing that was started in the United States in 1972, has spread into a vibrant global community in the twenty-first century.
Resistance and Support is edited and includes an introduction by veteran CI practitioner and dance studies scholar Ann Cooper Albright.
For much of its existence in the twentieth century, Contact Improvisation prided itself on its democratic and egalitarian roots. Jams are open to newcomers, women learned to lift men, and dancing roles were not conventionally gendered in the traditional sense of partnered dancing such as tango or ballroom. These conventions meant that questions of social power were often ignored within the jams and festivals where Contact Improvisation thrives. This thoughtful collection engages issues of inclusion and access through insightful essays written by people whose life experiences are shaped by this extraordinary form of kinaesthetic communication.
Chapters trace the stories of CI in China and Taiwan, India, Mexico, Brazil, as well as those in the U.S., Canada, and Europe. Some discuss the somatic training that provides a movement basis for the improvisational exchanges between dancers. Others foreground the feminist and queer perspectives on the evolving twenty-first century practice of the form. Several elaborate on the healing, spiritual, or therapeutic aspects of CI, while others explore the mixed ability approaches to the form popularized by Alito Alessi's Dance Ability pedagogy. Like Critical Mass: CI @ 50, the international conference and festival honoring CI's 50th anniversary from which these writings emerged, these essays both celebrate the expansive possibilities and critique some of the exclusionary conventions of this ever-evolving form of communal dance.
Industry Reviews
"Like the diversity of contact improvisation communities in the world, the authors here present their differing experiences, opinions, analysis and research, offering opportunities to laugh, cry, argue, sigh, and recall that the ongoing human, magical and mycelium-like dance practice of contact improvisation, constantly re-invented and changed by the cultures of people who practice it, is alive and well." -- Karen Nelson, independent dance artist, Contributing
Editor Contact Quarterly, and Co-Editor CQ's CI 50 Newsletter
"Resistance and Support is a much-needed uninhibited critique of Contact Improvisation that moves against and with its utopian proposal to disrupt hierarchies and assumptions in Post Modern Dance. These essays prompt an urgent reevaluation of how freedom is understood within Contact Improvisation. This provocative collection uplifts a collective of diverse voices and bodies that finally get to have their say while simultaneously inviting others into
the conversation." -- Mayfield Brooks, creator of Improvising While Black (IWB)
