Roger Sessions on Music

*Frontmatter, pg. i*Contents, pg. v*Editor's Note, pg. vii*Preface, pg. ix*The Composer and His Message [1939], pg. 3*Music in Crisis [1933], pg. 27*The New Musical Horizon [1937], pg. 45*Song and Pattern in Music Today [1956], pg. 53*Problems and Issues Facing the Composer Today [1960], pg. 71*Style and "Styles" in Music [1961], pg. 88*Art, Freedom, and the Individual [957], pg. 105*Composer and Critic [1934], pg. 120*America Moves to the Avant-Scene [1937], pg. 123*To Revitalize Opera [1938], pg. 137*The Scope of Music Criticism [1947], pg. 146*Music in a Business Economy [1948], pg. 157*How a "Difficult" Composer Gets That Way [1950], pg. 169*Music and the Crisis of the Arts [1954], pg. 175*New Vistas in Musical Education [1934], pg. 187*The Composer in the University [1949], pg. 193*What Can Be Taught? [1967], pg. 204*Heinrich Schenker's Contribution [1935], pg. 231*Hindemith on Theory [1937], pg. 241*Exposition by Krenek [1938], pg. 249*Escape by Theory [1938], pg. 256*The Function of Theory [1938], pg. 263*Music and Nationalism [1933], pg. 271*Vienna-Vale, Ave [1938], pg. 282*On the American Future [1940], pg. 288*American Music and the Crisis [1940], pg. 295*No More Business-as-Usual [1942], pg. 304*Artists and This War [1942], pg. 313*Europe Comes to America [1945], pg. 319*Ernest Bloch [1927], pg. 329*On Oedipus Rex [1928], pg. 339*Hindemith's Mathis der Maler [1934], pg. 347*Schoenberg in the United States [1944, revised 1972], pg. 353*Some Notes on Schoenberg and the "Method of Composing with Twelve Tones" [1952], pg. 370*Thoughts on Stravinsky [1957], pg. 376*In Memoriam Igor Stravinsky [1971], pg. 386*In Memoriam Luigi Dallapiccola [1975], pg. 387