Introduction | p. x |
Suggestions for Further Reading | p. xliii |
A Note on the Texts | p. xlv |
From Battle-Pieces and Aspects of the War (1866) | |
The Portent | p. 7 |
Misgivings | p. 8 |
The Conflict of Convictions | p. 9 |
Apathy and Enthusiasm | p. 12 |
The March into Virginia | p. 14 |
Ball's Bluff | p. 16 |
DuPont's Round Fight | p. 17 |
Donelson | p. 18 |
In the Turret | p. 32 |
The Temeraire | p. 34 |
A Utilitarian View of the Monitor's Fight | p. 37 |
Shiloh | p. 39 |
Battle of Stone River, Tennessee | p. 40 |
The House-top | p. 42 |
The Armies of the Wilderness | p. 43 |
On the Photograph of a Corps Commander | p. 51 |
The Swamp Angel | p. 52 |
Sheridan at Cedar Creek | p. 54 |
The College Colonel | p. 56 |
A Dirge for McPherson | p. 58 |
At the Cannon's Mouth | p. 60 |
The March to the Sea | p. 62 |
The Frenzy in the Wake | p. 65 |
The Surrender at Appomattox | p. 67 |
A Canticle | p. 68 |
The Martyr | p. 70 |
"The Coming Storm" | p. 72 |
Rebel Color-bearers at Shiloh | p. 73 |
The Muster | p. 75 |
"Formerly a Slave." | p. 77 |
Magnanimity Baffled | p. 78 |
On the Slain Collegians | p. 79 |
America | p. 81 |
Verses Inscriptive and Memorial | p. 83 |
On the Home Guards | p. 83 |
The Fortitude of the North | p. 83 |
An Uninscribed Monument | p. 83 |
On the Grave | p. 84 |
On a Natural Monument | p. 84 |
Commemorative of a Naval Victory | p. 85 |
The Scout toward Aldie | p. 87 |
Lee in the Capitol | p. 112 |
A Meditation | p. 118 |
Supplement | p. 121 |
From Clarel (1876) | |
Jerusalem | p. 133 |
The Hostel | p. 133 |
Of the Crusaders | p. 138 |
The Arch | p. 139 |
Nathan | p. 142 |
The Wilderness | p. 153 |
Of Mortmain | p. 153 |
Of Deserts | p. 157 |
Concerning Hebrews | p. 160 |
The Inscription | p. 164 |
Mortmain Reappears | p. 167 |
Prelusive | p. 169 |
Sodom | p. 170 |
Mar Saba | p. 175 |
The High Desert | p. 175 |
Rolfe and the Palm | p. 180 |
Empty Stirrups | p. 183 |
Bethlehem | p. 186 |
Derwent and Ungar | p. 186 |
Ungar and Rolfe | p. 190 |
The Valley of Decision | p. 194 |
Dirge | p. 199 |
Passion Week | p. 199 |
Easter | p. 202 |
Via Crucis | p. 205 |
Epilogue | p. 206 |
From John Marr and Other Sailors (1888) | |
John Marr and Other Sailors | p. 211 |
John Marr | p. 211 |
Tom Deadlight | p. 217 |
Jack Roy | p. 219 |
Sea-Pieces | p. 221 |
The Haglets | p. 221 |
Minor Sea-Pieces | p. 229 |
The Man-of-War Hawk | p. 229 |
The Tuft of Kelp | p. 229 |
The Maldive Shark | p. 229 |
Crossing the Tropics | p. 230 |
The Berg | p. 231 |
The Enviable Isles | p. 232 |
Pebbles | p. 233 |
From Timoleon (1891) | |
Timoleon | p. 237 |
After the Pleasure Party | p. 244 |
The Night-march | p. 249 |
The Ravaged Villa | p. 250 |
The Margrave's Birthnight | p. 251 |
Magian Wine | p. 253 |
The Garden of Metrodorus | p. 254 |
The Weaver | p. 255 |
Lamia's Song | p. 256 |
In a Garret | p. 257 |
Monody | p. 258 |
Lone Founts | p. 259 |
The Bench of Boors | p. 260 |
The Enthusiast | p. 261 |
Art | p. 262 |
Buddha | p. 263 |
C-'s Lament | p. 264 |
Shelley's Vision | p. 265 |
Fragments of a Lost Gnostic Poem of the Twelfth Century | p. 266 |
The Marchioness of Brinvilliers | p. 267 |
The Age of the Antonines | p. 268 |
Herba Santa | p. 269 |
Fruit of Travel Long Ago | p. 272 |
Venice | p. 272 |
In a Bye-Canal | p. 272 |
Pisa's Leaning Tower | p. 273 |
In a Church of Padua | p. 274 |
Milan Cathedral | p. 274 |
The Parthenon | p. 275 |
Greek Masonry | p. 276 |
Greek Architecture | p. 276 |
The Apparition | p. 277 |
In the Desert | p. 277 |
The Great Pyramid | p. 278 |
From Weeds and Wildings Chiefly: With a Rose or Two (1924) | |
Clover | p. 283 |
The Little Good-Fellows | p. 284 |
Trophies of Peace | p. 285 |
The American Aloe on Exhibition | p. 286 |
The New Rosicrucians | p. 287 |
Miscellaneous Poems | |
The New Ancient of Days | p. 291 |
Immolated | p. 294 |
The Rusty Man | p. 295 |
Camoens | p. 296 |
Montaigne and His Kitten | p. 298 |
Gold in the Mountain | p. 299 |
A Spirit Appeared to Me | p. 300 |
Hearts-of-gold | p. 301 |
Pontoosuce | p. 302 |
Billy in the Darbies (from Billy Budd) | p. 306 |
Notes | p. 307 |
Index of First Lines | p. 334 |
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