Sex, Death and Witchcraft

A Contemporary Pagan Festival

By: Douglas Ezzy

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Hardcover | 22 May 2014 | Edition Number 1

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Hardcover
216 Pages

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24.13 x 15.75 x 1.52

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Faunalia is a controversial Pagan festival with a reputation for being wild and emotionally intense. It lasts five days, 80 people attend, and the two main rituals run most of the night. In the tantalisingly erotic Baphomet rite, participants encounter a hermaphroditic deity, enter a state of trance and dance naked around a bonfire. In the Underworld rite participants role play their own death, confronting grief and suffering. These rituals are understood as "shadow work" - a Jungian term that refers to practices that creatively engage repressed or hidden aspects of the self.

Sex, Death and Witchcraft is a powerful application of relational theory to the study of religion and contemporary culture. It analyses Faunaliaâs rituals in terms of recent innovations in the sociology of religion and religious studies that focus on relational etiquette, lived religion, embodiment and performance. The sensuous and emotionally intense ritual performances at Faunalia transform both moral orientations and self-understandings. Participants develop an ethical practice that is individualistic, but also relational, and aesthetically mediated. Extensive extracts from interviews describe the rituals in participantsâ own words. The book combines rich and evocative description of the rituals with careful analysis of the social processes that shape peopleâs experiences at this controversial Pagan festival.

Industry Reviews

"Sociologist Ezzy takes readers inside the pagan subculture, showing how even short-lived festivals and gatherings exert a powerful force over practitioners. The book is an in-depth study of a controversial pagan festival in Australia, Faunalia, which ran for nine years beginning in 2000. The organizers reconstructed rituals with dark and contested pasts, particularly the erotic Baphomet rite, where participants celebrate a devil-like hermaphroditic deity by entering trance states and dancing around a bonfire naked. In the Underworld rite, participants role-play their own deaths. Ezzy's sympathetic account of these events is retold through participants' eyes rather than through his own firsthand observation, though he is a pagan and has participated in the festival. He argues that these emotionally intense rituals add soul to participants' lives, allowing them to transcend ordinary reality for a brief time and get in touch with their true selves. Ezzy finds that participants report resolutions of internal conflicts and a new sense of self-worth, even years after taking part in these rituals. Summing Up: Recommended. Upperdivision undergraduate students and above." --R. P. Cimino, University of Richmond, CHOICE

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