Spanish Cinema against Itself

Cosmopolitanism, Experimentation, Militancy

By: Steven Marsh

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eBook | 25 February 2020

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Spanish Cinema against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s—with the work of Luis Bunuel and Salvador Dali, experimentalist Jose Val de Omar, and militant documentary filmmaker Carlos Velo—through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.

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Non-Fiction Arts & Entertainment Film, TV & Radio Specific Films Film Theory & Criticism History Regional & National History European History Military History Spanish Civil War Photography & Photographs Special Kinds of Photography

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Spanish Cinema against Itself

Cosmopolitanism, Experimentation, Militancy

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